Slamdance Film Festival
Slamdance Film Review: Love Dump
Leila Gorstein and Jesse Kendall’s Love Dump had a distinct humor, but much of it feels wasted on genre trappings wrung dry by their ubiquity. … read more
Slamdance Film Review: Unicorn Boy
Slamdance feature Unicorn Boy was a unique romp through a fantasy world and a deep exploration into Director/Animator Matt Kiel’s psyche. … read more
Slamdance Film Review: The Mad Writer
The Mad Writer moves with an urgency deserving of its subject matter, but maintains a light, loose vibe throughout. … read more
Slamdance Film Review: Mad Cats
Mad Cats is a joy to behold. When something’s this much of a blast, looks this good and has this much quality stunt work, how could it not be? … read more
Slamdance Film Review: A Perfect Day for Caribou
A Perfect Day For Caribou’s metaphor is a little obvious, but following Herman and Nate through their shared blood and flawed traits is a quiet fascination. … read more
Slamdance Film Review: With Peter Bradley
In the Slamdance documentary With Peter Bradley, director Alex Rappoport focuses on what’s important both to Bradley and to the audience–the art. … read more
This is Where We Meet: Nina Ognjanović on Where the...
Nina Ognjanović’s self-assessment makes of her debut feature, Where the Road Leads, as a coming-of-age western, makes perfect sense. … read more
Cisco Kid: Utah Landscape Meets Queer Self-Discovery
Emily Kaye Allen’s Cisco Kid offers a fresh admiration for the beauty to be found inhabiting those desert spaces we mostly speed past on the freeway. … read more
Film Review: Hannah Ha Ha
Joshua Pikovsky and Jordan Tetewsky’s Hannah Ha Ha doesn’t really come to any conclusions about anything, but maybe that’s the point … read more
Film Review: Goodafternoon Sweetdream
If Bang Seung Hyeon intended to create a profoundly disorienting viewing experience with Goodafternoon Sweetdream, they certainly succeeded. … read more