There’s always something to be said of a great remix and what it can do to transform a song—from reverent ballad to tits-out club stomper—and how it can revitalize or even reinvent a release. One of my favorite albums of last year was easily Hollywood Under the Knife, released under dance diva extraordinaire Billie Ray Martin’s great Opiates moniker. I was excited by the notion of a new full-length remix album, but didn’t expect to be so blown away by it.