It was wonderful news when Alison Moyet announced she was going to release a new album (the minutes) this year, and an even bigger surprise when it charted so highly in the UK charts (at Number Five, her second-highest-charting studio album there since 1987’s Raindancing to be precise)—a remarkable feat for any artist, especially one who hasn’t released new material in seven years and more specifically—in what remains a sexist industry—a woman.