Issues: Issue 332 – August 2016
![Gallery Stroll: Birds of a Feather](https://www.slugmag.com/wp/wp-content/uploads/2016/07/332-ED-GalleryStroll-FranONeil-WashMeDown.jpg)
Gallery Stroll: Birds of a Feather
While pursuing their careers, Fran O’Neill and Matt Choberka have remained friends. Both participated in Pure Paint for Now People, a group show at Weber State University in Spring 2015. It was during this show that CUAC Executive Director Adam Bateman conceived a show that would team up the old friends. … read more
![Contributor Limelight: Jessica Bundy](https://www.slugmag.com/wp/wp-content/uploads/2016/07/332-Ed-Contributor-Limelight-Jessica-Bundy-581x1024.jpg)
Contributor Limelight: Jessica Bundy
Bundy enjoys contributing to the local scene and SLUG’s range of photographic opportunities, particularly portraits of other community members and live shows. … read more
![Movie Review: Carnage Park](https://www.slugmag.com/wp/wp-content/uploads/2016/07/332-Ed-Movies-Carnage-Park-690x1024.jpg)
Movie Review: Carnage Park
Carnage Park demonstrates writer/director Mickey Keating’s knack for imagining uniquely terrifying scenarios and then inflicting them upon his characters. … read more
![Movie Review: Ghostbusters](https://www.slugmag.com/wp/wp-content/uploads/2016/08/ghostbusters-2016-Movie-HD-Picture-2.jpg)
Movie Review: Ghostbusters
Ghostbusters Director: Paul Feig Sony In Theaters: 07.15 It was disgusting to witness certain people’s reaction when Sony announced a Ghostbusters reboot with four women taking the leads. Why would anyone care? You’ve got director Paul Feig and a gathering of the funniest individuals working in Hollywood today. In this edition, which is a completely separate
![Movie Review: Lights Out](https://www.slugmag.com/wp/wp-content/uploads/2016/08/ee459cdba4c011cc5e60ca5f545edb72-683x1024.jpg)
Movie Review: Lights Out
Lights Out Director: David F. Sandberg Warner Bros. In Theaters: 07.22 Of all the genres in cinema, it seems that horror films have suffered the most in terms of execution as time progresses. The cheapness of the found-footage subcategory definitely delivered the heaviest blow, but there’s something about the PG-13 productions that instantly mark the project