Issues: Exclusive
The March Violets on Post-Punk’s Origins
SLUG chatted with The March Violets frontwoman Rosie Garland about the band’s history and what prompts their creativity. … read more
Film Review: Anora
It’s tempting to compare Anora to the older works of Woody Allen, in terms of the raw filmmaking style, the New York setting and the deceptively simple story. … read more
Film Review: Heretic
I’m not telling anyone that they have to see Heretic if they don’t want to, but I’d be ungrateful if I didn’t take this opportunity to bear my testimony. … read more
Film Review: Here
Here plays a lot like a visually ambitious student film padded out to feature length, and that padding can be very near deadly at time. … read more
Film Reviews: Utah Queer Film Festival 2024
This year’s edition of the annual Utah Queer Film Festival includes 18 feature films and three shorts programs, all about LGBTQ+ experiences, history and perspectives. … read more
Film Review: Emilia Pérez
It’s something of a given that Emilia Pérez is not a movie for all tastes, but it had me hooked from beginning to end, and will be stuck in my head for a while. … read more
Local Review: Chegoya – I GUESS
The Chegoya on I GUESS fuses elements of traditional jazz instrumentation alongside the electronic audio to create intricate layers of groovy beats. … read more
Chat Pile Wants To Die In A Movie
SLUG had to jump in on the mix along with the many many publications clambering to Chat Pile. … read more
Film Review: Music By John Williams
Music By John Williams is very definitely a movie for fans, though it always effectively contextualizes the influence of this magnificent composer. … read more
Film Review: Hitpig!
Hitpig! is neither great nor terrible, and there are enough disparate elements that it could easily have gone fully in either direction. … read more