Issues: Exclusive
![Sundance Film Review: MERATA: How Mum Decolonised the Screen](https://www.slugmag.com/wp/wp-content/uploads/2019/01/MERATA.jpg)
Sundance Film Review: MERATA: How Mum Decolonised the Screen
Her mission, in her words, was to decolonize and indigenize our screens. With Merata: How Mum Decolonised the Screen, her son Hepi Mita continues the task. … read more
![Sundance Film Review: The Sharks](https://www.slugmag.com/wp/wp-content/uploads/2019/01/the-sharks.jpg)
Sundance Film Review: The Sharks
The cinematography, natural lighting and photography in The Sharks is stunning, as it captures lush treescapes and waves crashing against rocks on beaches. … read more
![Sundance Film Review: Anthropocene: The Human Epoch](https://www.slugmag.com/wp/wp-content/uploads/2019/01/Anthropocene.jpg)
Sundance Film Review: Anthropocene: The Human Epoch
Anthropocene: The Human Epoch succeeds in not trying to assail each topic but giving us a panoramic view of how all of these human activities cumulatively affect the planet. … read more
![Sundance Film Review: THE WITCH HUNTERS](https://www.slugmag.com/wp/wp-content/uploads/2019/01/witch-hunters.jpg)
Sundance Film Review: THE WITCH HUNTERS
Though it’s lighthearted, THE WITCH HUNTERS offers a mature conversation about legitimate issues through the lens of young characters. … read more
![Sundance Film Review: Abe](https://www.slugmag.com/wp/wp-content/uploads/2019/01/abe.jpg)
Sundance Film Review: Abe
Abe is a worthwhile movie that also presents subtle, contextually appropriate educational points about Islam. … read more
![Sundance Film Review: Tigerland](https://www.slugmag.com/wp/wp-content/uploads/2019/01/Tigerland.jpg)
Sundance Film Review: Tigerland
Tigerland Sundance Film Festival Director: Ross Kauffman In both Eastern and Western imaginations and art, the tiger has always been a symbol of beauty and power. As their numbers dwindle in the wild, many people are moved to help their cause. Tigerland follows two parallel tiger conservation efforts: in far east Russia where Pavel Famenko
![Sundance Film Review: Judy and Punch](https://www.slugmag.com/wp/wp-content/uploads/2019/01/Judy-and-Punch.jpg)
Sundance Film Review: Judy and Punch
Judy and Punch (Australia) Sundance Film Festival Director: Mirrah Foulkes In 16th century Seaside, a town that is nowhere near the sea, puppeteers Judy (Mia Wasikowska) and her husband Punch (Damon Herriman) are the main source of entertainment. Their puppet shows require synchronized choreography, but Punch seems to be the one taking all the credit
![Sundance Film Review: Sister Aimee](https://www.slugmag.com/wp/wp-content/uploads/2019/01/Sister-Aimee.jpg)
Sundance Film Review: Sister Aimee
Sister Aimee Sundance Film Festival Director: Samantha Buck and Marie Schlingmann The story of Sister Aimee Semple McPherson, as told by the film Sister Aimee, claims to have 5 1/2% truth to it. The historically accurate 5 1/2% is this: Sister Aimee was a wildly popular evangelist who founded the Four Square Church in the
![Sundance Film Review: The Last Black Man in San Francisco](https://www.slugmag.com/wp/wp-content/uploads/2019/01/The-Last-Black-Man-in-San-Francisco.jpg)
Sundance Film Review: The Last Black Man in San Francisco
The opening scenes of The Last Black Man in San Francisco were enough to take my breath away. … read more
![Sundance Film Review: Miles Davis, Birth of the Cool](https://www.slugmag.com/wp/wp-content/uploads/2019/01/birth-of-the-cool-691x1024.jpg)
Sundance Film Review: Miles Davis, Birth of the Cool
Miles Davis: Birth of The Cool Sundance Film Festival Director: Stanley Nelson The greatest names of jazz always include the ultimate in cool: jazz trumpeter Miles Davis. Julliard-trained and performing in jazz ensembles since an early age, Davis was known for his artistic flare, his emotive, vulnerable sound, and his chameleon-like ability to adapt to