SLUGmag
Review: THE ART OF MODERN ROCK: THE POSTER EXPLOSION
THE ART OF MODERN ROCK: THE POSTER EXPLOSION PAUL GRUSHKIN AND DENNIS KING Chronicle Books Street: 11.04.04 Guided by the premise that music (at least in the recorded age) and visual art are inextricably linked, The Art of Modern Rock provides readers a captivating compendium to the world of poster art. Featuring an array of
Review: Talking Heads: Once in a Lifetime – The Stories...
Talking Heads: Once in a Lifetime – The Stories Behind Every Song Ian Gittins Carlton Books Street: 09.01.04 To understand one of the most eccentric bands in the history of modern music is a challenging feat. Thanks to brave authors like Ian Gittins, I’m beginning to do just that. As the title suggest, Once In
Review: Let The Fury Have The Hour: The Punk Rock...
LET THE FURY HAVE THE HOUR: THE PUNK ROCK POLITICS OF JOE STRUMMER ANTINIO D’ AMBROSI Nation Books Street: 10.13.04 I still remember turning on the TV after coming home from work to hear that Joe Strummer had died. I couldn’t believe that he could be gone just like that. I couldn’t sleep that night,
Review: Lords of Chaos: The Boodly Rise Of The Satanic...
LORDS OF CHAOS: THE BLOODY RISE OF THE SATANIC UNDERGROUND (REVISED SECOND EDITION) MICHAEL MOYNIHAN AND DIDRIK SODERLIND Feral House Books Street: 11.01.03 If you are into black metal in any way, read this! It will give you an understanding of what black metal is and of the definite divisions that exist within its ranks.
Review: GOD SAVE MY QUEEN: A TRIBUTE – DANIEL NESTER
GOD SAVE MY QUEEN: A TRIBUTE DANIEL NESTER Soft Skull Press Street: 04.2003 In Daniel Nester’s simultaneously lyrical and obsessive treatment of Queen’s musical and metaphysical legacy, both band and ostentatious frontman Freddie Mercury are offered far greater fates than the reputation that precedes the group’s recognizable work, i.e., “Bohemian Rhapsody,” and Mercury’s highly publicized
Review: PICNIC GROUNDS: A NOVEL IN FRAGMENTS – OZ SHELACH
PICNIC GROUNDS: A NOVEL IN FRAGMENTS OZ SHELACH City Lights Street: 04.01.03 Composed in a clean literary style devoid of muddied metaphors and overarching allegories, the hauntingly brief vignettes of Oz Shelach’s Picnic Grounds are guided by the concept of the commons: a series of publicly utilized resources, plots of land and amorphous societal rights.
Review: NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN...
NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN WORDS HANK BORDOWITZ Soft Skull Street: 01.20.05 Don’t tell Condi, but imperialism is bad. That’s not necessarily so, however, when it comes to music. While it’s ironic that whiteys like David Byrne, Peter Gabriel and Paul Simon have opened up the world’s music to the West,