Top 5: Galactic Cannibal

Top 5: Galactic Cannibal
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Pist, agitated and frothing at the mouth, We’re Fucked erupts with jovial violence meant as a blueprint for shout-alongs at live punk shows. Reviewers—and the band itself—have dichotomized Galactic Cannibal’s sound as being “pop punk + hardcore,” which skirts that this record is a short, sharp shock of street punk with its catchy gang vocals and major-key progressions coupled with vocalist Peter J Woods’ snarling assault. We’re Fucked, however, transcends these sonic genre conventions … … read more

Top 5: Daughter

Top 5: Daughter
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It’s hard to put into words the emotions that Daughter’s full-length debut, If You Leave, bring up. Each time I turn it on, it’s as if Elena Tonra’s voice is reaching deep into my soul and shaking up all of those miserable, broken-hearted experiences, and then serving them back to me in a beautifully decorated, melancholy cocktail.  … read more

Top 5: Danny Brown

Top 5: Danny Brown
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Right from the first track (“Side A [Old]”), it’s obvious that this ain’t that old Danny Brown shit. He takes us there, into his old life—his mom braiding hair on the front porch (“25 Bucks”) and a crackhead burning off his lip doing stove hits (“Torture”). But this is new territory for Brown. Old strays from the minimalist and vocal-centric emphasis of XXX and the ’90s-worship of The Hybrid, and shows that Brown is as versatile and conceptual as ever. Old is more put-together, more focused around each song’s vibe or story. … read more

Top 5: Cult of Luna

Top 5: Cult of Luna
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Ascending out of the black abyss after five years of quietly lurking in the adumbrative shadows, Cult of Luna released their album, Vertikal I, which transcended the norm and boundaries of the typical metal wavelengths. With all the cultivation and care that went into Vertikal I, however, the album did not illuminate the full spectrum of sound that the band had intended to highlight. In 2013, Vertikal I was made whole, as Cult of Luna introduced three extra songs and a remix on a separate EP: Vertikal II.  … read more

SLUG Mag’s Top 5 Albums of 2013

SLUG Mag’s Top 5 Albums of 2013

‘Tis the season—when SLUG contributors tally up their favorite album releases of the year and painfully pare those lengthy tomes into their Top 5 albums released in 2013.  … read more

Top 5 Movies of 2012

Top 5 Movies of 2012
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Another year down and another Top 5 List for the film aficionados! Since we only have a small amount of time left before the volcanoes start erupting across the planet, here’s the list of 2012’s best and worst movie offerings … thus far! … read more

Top 5: White Lung

Top 5: White Lung
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Where much new punk music is conflated with hardcore, stoner metal, indie, folk or  pop-punk, White Lung have managed to pick up where mid-aughts bands left off, to push a straight-up punk sound into a different realm without interlacing their tunes with conventions from other genres on their sophomore release, Sorry. … read more

Top 5: Purity Ring

Top 5: Purity Ring
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Shrines is a beautiful contradiction of icy, synthetic start-and-stops created by Corin Roddick, and the sugar-dipped ghost vocals of Megan James dissecting through the cold mass of chimes with awkward, gut-wrenching lyrics. Though the choppy hip hop beats, dubstep wobbles and breathy witch house elements initially draw the listener in with exterior superficiality, a few more close listens reveal a poetic push-and-pull between the instrumentals and songwriting that beg for deconstruction. … read more

Top 5: Japandroids

Top 5: Japandroids
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Celebration Rock is the musical equivalent of getting shitfaced with your friends and talking about past successes or ex-girlfriends, ending the night with drunken optimism about the future. Somewhere between post-rock and pop-punk, they are never trying too hard to be cool—it all seems genuine. … read more

Top 5: Evoken

Top 5: Evoken
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“I will diminish those centuries and persecute those with quiet desperation,” bleeds a grumbled death roar from the title track off Evoken’s fifth album. Not only do the gloomy lyrics set the tone of the album with the starting song, but the music does as well. Atra Mors’ biggest success as an album is its gutsy equality of atmospheric, obliterating doom and brain-stem-carving memorability. … read more