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Sinead O’Connor Show Review
I remember hearing Damien Dempsey’s album Seize the Day and not connecting with its dominant theme of Celtic pride but as he takes the stage, a man and an acoustic guitar standing alone against an audience anticipating Sinead O’Connor I can’t help but notice that there is something captivating about him. His introduction of each song is humorous, filled with wisdom and hope. … read more
Less Than Jake Show Review
Going to ska-punk shows does two things to me: 1. They make me feel old and 2. They make me feel relatively attractive. Ska-punk is an inherently dorky genre of music, and sad though it may be, the dorky tend to be less attractive than the non-dorky. Now I’m not saying that I’m a prime cut of 100% American Male myself, but goddamn those ugly kids sure made me feel good about myself (operative word being “kids”). … read more
Gaslight Anthem Show Review
Salt Lake City, I’m mighty disappointed in you. At the Gaslight Anthem’s first ever show in our fine city, they were greeted by a grand total of 10 people, four of whom were members of opening band Signal to Noise. … read more
Fuck the Informer: By the Numbers
Fuck The Informer is a band that I like. But they don’t like SLUG and said that they didn’t want any of their music reviewed in the mag. So I told them that I was doing a survey, just like a sneaky telemarketer. I guess that makes me an informer, ha! Fuck me! I’ll leave
Wolves in the Throne Room: Madrigal of the Wolf
With raw production, blazing guitars, shrieking vocals and blasting drums, black metal has always purported an extreme display of individualism, making every effort to reject all things politically correct and socially acceptable. Like everything however, human beings have turned those sparks of individualistic expression into hackneyed, formulaic practices, which have become little more than parodies
Local Review: Various Artists – S.L.C. Rules
Various Artists S.L.C. Rules 8ctopus Street: 05.11 S.L.C Rules = No New York + Yes L.A. + Salt Lake Style In 1978, Brian Eno released a compilation on Antilles Records titled, No New York. One of the most important documentations of the NYC no wave scene (including cuts from James Chance and the Contortions, Teenage
Local Review: Various Artists – Circus Brown’s Snackbox
Various Artists Circus Brown’s Snackbox KRCL 90.9 FM Street: 07.01 Circus Brown = KRCL DJ who spins on Saturday Nights, 10pm-1am Circus Brown is a power player in the realm of local music and his self-released compilation of his favorite live cuts from his show, Not a Sideshow, on KRCL is added testament to that
Local Review: Terrance Danger Hailstorm – No Danger b/w Hurricane
Terrance Danger Hailstorm No Danger b/w Hurricane Self-Released Street 05.07 Terrance DH = the Stench + Magstatic + a hipper, friendlier and less evil Danzig Terrance Danger Hailstorm has been a staple on the SLC music scene for a number of years now, as a member of the Stench, Magstatic and the Bad Yodelers. For
Local Review: Mean Molly’s Trio – Things I See
Mean Molly’s Trio Things I See Rev 13 13 Records Street: 2007 Mean Molly’s Trio = Ray Charles + The Raconteurs + Mudhoney + The Black Keys Remarkably enough, coming up with who Mean Molly’s Trio sounds like, without hurting the good name of those bands, was harder than listening to their debut record Things
Local Review: Ghetto Athlete – Tha Game of Life
Ghetto Athlete Tha Game of Life MadChild Records Street: 09.04 Ghetto Athlete = Spencer Beats + Lil’ Wayne + K-9 It’s odd to hear a local Utahn Represent Oakland and the Bay Area, but what do I know? Loaded with dopey-dope ass beats produced by Spencer Bridges, this album stands alone as one of the