Music
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Local Reviews: Starvist
Just as their album art suggests, Starvist saw off rhino horns with Taker Mythology, a fresh gulp of contemporary hardcore. Drummer Chase Cluff is a technical beast in his own right as he seamlessly transitions from technical rolls on his snare and slides into a smooth 6/8 beat with fluffy ride taps in “You Just Don’t Fool Me Twice.” … read more
Local Reviews: Stalemate Flesh
First impressions of this metal/punk duo from Salt Lake City should be shunned—Stalemate Flesh may have the tendency to scare listeners away. The tones on Freedom 2020 initially are in the one-note realm—the guitars don’t move far from their roots, nor do the vocals—but that’s the band’s point: They’re not trying to be dramatically proficient with their instruments. … read more
Local Reviews: South of Ramona
Aside from the cheesy 25-second intro that kicks off this five-song EP, this record is made up of some pretty good tracks from the local four-piece group. Although the first couple of songs, “Carnival Court (Step Inside)” and “Purple Sky,” feature a punk reggae vibe, the remaining tunes are different in style. … read more
Local Reviews: Parlor Trix
This four-piece rap outfit from Salt Lake is ambitious—they acknowledge they are less about the hooks and more about lyricism. This release finds three MCs trading verses over beats by DJ Drix.While the energy and devotion to hip hop culture are evident, it’s hard to see at first what sets these guys apart, aside from being local. … read more
Local Reviews: Michael Gross and The Statuettes
With a perfectly titled album, this rock outfit sonically takes you somewhere warm on the coast. Thanks to their mostly feel-good rhythms, electric guitar riffs and arena-style vocals, this is one of Salt Lake’s most widely appealing bands. … read more
Local Reviews: Matthew and The Hope
Matthew and The Hope wasn’t my kind of jam. Matthew claims to sound like Joshua James or Ray LaMontague, but I see his vocal styles as akin to back-of-the-throat singers from neo-grunge (think Scott Stapp or Gavin Rossdale). That being said, Matthew Bashaw has solid vocal skills, but the man needs someone to back him up if he is going to pull off the alternative country sound. … read more
Local Reviews: Katherine Nelson
Born Brave is Katherine Nelson’s first album, and it is a really fucking beautiful debut. She’s had plenty of experience to build on, having performed with The Nashville Tribute Band, among others, as well as having some acting experience playing Emma Smith in several films involving the Mormon icon. … read more
Local Reviews: John-Ross Boyce and His Troubles
Deliciously raw and gritty, Black Shuck/Old Crow is a really great album—a sort of stoner-gypsy-folk-rock mash-up. Wailing guitar riffs and rich, flowing vocals define the 14-song collection and, while the moods and tempos do vary, the album maintains a pretty consistent blues-based vibe that plucks at your heart-strings—kinda even tugs on your skin a little. … read more
Local Reviews: JRapp
Jon Rappaport’s debut EP is a rhythmic, warmly melodic, complexly layered record that really shows off his skills as a producer. It’s evident that he has great instincts for composition from the fact that each track becomes a journey, bringing the listener along. … read more
Local Reviews: Dustbloom/Huldra
Ah, the split album—it’s a perfect way to showcase new bands and display the diversity of a musical community. This split features three songs apiece and a collaborative track from two of Salt Lake’s most exciting bands in the world of aggressive music. … read more