Music
▼ Music
Local Reviews: Max Pain & The Groovies
Channeling the late ‘60s/early ‘70s groove that once fueled the Human Be-In and the Summer Of Love, Pain and company find a niche between the psychedelic and heavy rock for their own modern movement. The heavy guitar riffs echo out of every track like a continuous wave of reverb, bending and weaving without a break and are accompanied by a cool bass and drumbeat that keep pace throughout. … read more
Local Reviews: The Hung Ups
(First and foremost, I need to apologize to The Hung Ups for not getting to this album in time: I’ve played with these guys and they’re fucking awesome. Hands down, they deliver pissy-yet-poppy punk rock that’s in your face with no compromises. All these members have been in the Salt Lake/Utah scene for years now, and they really know how to fuck shit up. Sorry guys, have a round on me. On to the review.) The Hung Ups’ self-titled release hearkens back to the simple pop punk stylings of The Descendents with songs dealing with skating, girls and all-American pizza pies. … read more
Local Reviews: The Fucktards
Congratulations, Fucktards: As I play this EP while my vulgar 17-year-old brother drives me to our parents’ house to steal food, he states, “This is foul.” Christ Punchen Fun! delivers boorish punk rock that sounds like it was recorded in a toilet littered with used condoms and week-old pizza crusts. … read more
Local Reviews: DulceSky
Locals DulceSky pack a “doubleplusgood” punch with these nine songs. Although they’ve played the Dark Arts Festival and the packaging is reminiscent of ‘90s industrial, this is straightforward indie rock with a dark, intelligent, politicized edge. … read more
Local Reviews: DulceSky
Locals DulceSky pack a “doubleplusgood” punch with these nine songs. Although they’ve played the Dark Arts Festival and the packaging is reminiscent of ‘90s industrial, this is straightforward indie rock with a dark, intelligent, politicized edge. Oliver Valenzuela’s guitars occasionally recall early U2, but his vocals are far darker, and at times almost Joy Division-morose. … read more
Local Reviews: Yze
I’ll give it up for Out Of Many. This is the second local joint handed to me that I can say I will listen to again. Yze knows what he’s doing, and what the hip hop nerds are looking for. I will even go so far to say that he is one of the best producers in the area. … read more
Local Reviews: Various Artists
Culled from live recordings from the third installment of the summer series of the same name, Music at Main showcases the breadth of good music in Salt Lake City. … read more
Local Reviews: Tupelo Moan
The minute this album starts with “Take You Out,” it feels as if it was written in a dive by two guys just jamming out for the hell of it somewhere around the Alabama/Tennessee border. Trying to capture the southern rock feel with a harder edge, Brad McCarley and Jason Roberts pounded out this eight-track trucker-like album in a matter of weeks at McCarley’s own Salt Lake Recording Service. … read more
Local Reviews: Theta Naught
Omnium Gatherum is Theta Naught’s first full-length album in six years. Given their elastic membership and reliance on improvisation above all else, each release and live show has the capacity to take the prolific post-rock/jazz/classical collective into completely unexpected places. … read more
Local Reviews: Spoken For
These boys definitely have some very recognizable influences from Tool to, perhaps unintentionally, The Police (tell me you don’t hear it on the opening riff of “No More Blood on my Guitar”). They are taking their cue from some great musicians. It’s young and it’s pained—they are certainly taking advantage of all the pent-up frustration that comes along with being an adolescent group of boys becoming men. … read more