Review: Helms Alee – Sleepwalking Sailors

Review: Helms Alee – Sleepwalking Sailors
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Sleepwalking Sailors is fun, melodic and disjointed post-rock that gathers many influences without committing to any of them. There are constant shifts from moments that are heavier and metal-adjacent, to discordant, sludgy aggression, to traditionally comfortable melodic lines. … read more

Review: Hammock – Oblivion Hymns

Review: Hammock – Oblivion Hymns
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I wouldn’t be surprised if “I Could Hear the Water at the Edge of All Things” was spawned by conversations with God or some spiritual essence. If you’re looking for a sacred experience, this is where you can find one, and these hymns are best listened to with reverence to feel uplifted. … read more

Review: Dam-Funk & Snoopzilla – 7 Days Of Funk

Review: Dam-Funk & Snoopzilla – 7 Days Of Funk
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Snoop does his best to channel Funk legend Bootsy Collins, aka Bootzilla, but he’s a better rapper than crooner—unlike Dam, who brings a funk prowess when he vocalizes, which doesn’t happen enough on the album. I certainly dig 7 Days Of Funk, but it’s more of a novelty record than a classic. … read more

Review: Culted – Oblique to All Paths

Review: Culted – Oblique to All Paths
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Oblique to All Paths sounds like a musical rendition of a passive-aggressive argument at band practice. Embarrassingly self-indulgent and lacking any kind of major, defining characteristic, Culted end up writing the doom metal equivalent of cold oatmeal.  … read more

Review: Have A Nice Life – The Unnatural World

Review: Have A Nice Life – The Unnatural World
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I’ve never been in a deprivation chamber before, but The Unnatural World renders an audial consciousness for me similar to how I imagine that complete darkness—except for Have A Nice Life flash wet, silver lights of sound. … read more

Review: The Entrance Band – Face The Sun

Review: The Entrance Band – Face The Sun
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Maybe it is the thinly veiled (read: shitty) heroin metaphors, or maybe it is the surprisingly sexy female bass player from A Perfect Circle and Zwan, but despite the decent melodies and engaging psychedelic-surf guitars, this album seems dated and uncool. … read more

Review: Earthless – From The Ages

Review: Earthless – From The Ages
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This is “Free Bird” entered through the outro. Imagine—a dozen layers deep in stoner blues—forgetting there was ever a verse or chorus, or ever any vocals at all, even air to breathe. Imagine tossing the whole structural fuckload and just soloing in brazen différance. To consider this is to glimpse the errance of From The Ages. … read more

Review: Dengue Fever – Girl from the North

Review: Dengue Fever – Girl from the North
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The tunes are Eastern-ized Western pop, re-Westernized for a new generation—got that? Truly, what they’ve done is really lovely. The music is twinkly and light, and the vocals are enchantingly foreign (female vocalist Chom Nimol generally sings in her native Khmer). … read more

Review: Doug Keith – Pony

Review: Doug Keith – Pony
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Namely, the best track on the album, “Pure Gold in the ’70s,” rips at the seams midway and bursts open with a J Mascis guitar solo, and from there, the track is a pure slacker anthem, a salute to the children of the ’70s. Pony also has more than enough warmth and attitude to get me through winter. … read more

Review: Color War – It Could Only Be This Way

Review: Color War – It Could Only Be This Way
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The beats, crafted by band member Billy J, are clean and resounding, and Lindsay Mound’s layered and dreamy vocals nicely complement the album. But to me, nothing about the album screamed innovation, and it wasn’t all that memorable. … read more