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Uncle Acid and the Deadbeats @ Urban Lounge 10.04 with...
The month of All Hallows’ Eve has come upon us, and what better way to kick this off than to witness Uncle Acid and the Deadbeats blast out their fuzzed, psych-induced ’70s-style heavy metal that arouses nostalgia for the early years of Black Sabbath. … read more
Review: Jack White – Lazaretto
Ever since the release of Blunderbuss in 2012, Jack White’s solo career has been very unpredictable and almost a major step away from everything else he was doing in his various bands. That’s reflected greatly in Lazaretto, where White’s style has morphed to be a pseudo country/blues/garage rock theme that sounds far more enthralling than anything he did in the previous decade. … read more
Review: They Might Be Giants – First Album Live
It’s been almost 28 years since They Might Be Giants release their debut self-titled album, launching a career that would span over four decades and earn a legion of dedicated fans. Now that the group are running their own label, they’ve started doing some cool things with their catalog, including having released this album for free in July 2014. … read more
Review: They Might Be Giants – Idlewild
They Might Be Giants are no strangers to compilations, with 10 of them in a career spanning over four decades, Idlewild adds to their already extensive catalog. … read more
Review: Human Cull – Stillborn Nation
I love discovering new bands by random occurrences. Human Cull made its way to me through a physical promo of the CD sent to SLUG Mag. This UK grind band surprised the shit out of me. … read more
Review: The Haunted – Exit Wounds
Is this record a glimpse into the upcoming At The Gates album which will feature three Haunted members? It’s a worthwhile assumption, but not relevant here. … read more
Reviews: The Growlers – Chinese Fountain
The Growlers have coasted with albums like Gilded Pleasures and Hung at Heart, but deliver something a little different with Chinese Fountain. … read more
Review: The Gaslight Anthem – Get Hurt
Get Hurt is The Gaslight Anthem’s awkward phase. Overproduced and lacking in any sincerity, I haven’t felt this turned off by an album since hearing Hanni El Khatib. … read more
Review: Foxes In Fiction – Ontario Gothic
This is bedroom pop at its finest. It’s gentle, soothing, and seems to be the stuff dreams are made of. … read more
Review: Exodus – Blood In Blood Out
Consider Blood In, Blood Out a comeback album. Many fans regard the recent vocalist Rob Dukes’ albums the worst Exodus have released. Exodus actually fired Dukes and brought back Steve “Zetro” Souza for Blood In Blood Out. … read more