Music
▼ Music
Review: Winkie – Come to My Party
Winkie describe their music as the sound of drowning, imagery reflected on the cover of their second full-length album. Come To My Party is an invitation. It’s definitely not an invitation to a party with balloons and frosted cakes with kids from school giving you hastily bought presents from the thrift store. This party is more like a meat grinder with strobe lights. … read more
Review: Yuck – Stranger Things
Stranger Things does maintain the tangy sweetness in both slower, lighter songs and the harder, grungier ones that have always been present in Yuck’s music. … read more
Megadeth @ The Complex with Children of Bodom, Havok 02.24
Megadeth has ruptured ear drums for 30 years, and while that may be some serious tenure, they show no signs of letting off on their iconic sound, which has gained them a reputation as one of the greatest metal bands of all time. A salute to them for giving such a memorable performance. Dave Mustaine is a god. … read more
Review: The Dirty Nil – Higher Power
The Dirty Nil = (PUP + FIDLAR) X (Fugazi + Smashing Pumpkins) … read more
Ringo Deathstarr: Keeping it Pharmaceutical-Hard
Austin band Ringo Deathstarr have picked out the many things that typify shoegaze, hurled them to the ground and stomped all over the pieces. … read more
Review: Death Index – Self-titled
Frontman Carson Cox of Merchandise and Marco Rapisarda (from labels Hell, Yes! and No Good) have teamed up to deal out their latest noise-soaked, hardcore-meets-art punk side project: Death Index. Their heady, self-titled debut album is punishing yet majestic, with a mission firmly rooted in those “primordial days of art punk”—think another punk duo, Suicide, and their nervy tendencies—that traverses doom, goth and post-punk in its hardcore endeavor. … read more
Review: TEEN – Love Yes
TEEN Love Yes Carpark Street: 02.19 TEEN = St. Vincent x Chairlift Love Yes, TEEN’s third album, finds the female quartet swimming in similar waters as their contemporaries, making big, glossy pop songs. The seductive prowess of Little Dragon’s neo soul is easy to recognize on “Please”, and the influence of Annie Clark’s vocal style
Review: The Wakedead Gathering – Fuscus: Strings of the Black...
The Wakedead Gathering Fuscus: Strings of the Black Lyre I, Voidhanger Records Street: 2.05 The Wakedead Gathering = early Katatonia + Repulsion x Godflesh The band name completely threw me off on this one, I thought I was about to listen to something totally fucking shitty, like Hollywood Undead, or, to a lesser but still-pretty-fucking-shitty
Review: Wild Nothing – Life of Pause
Wild Nothing Life of Pause Captured Tracks Street: 02.19 Wild Nothing = Toro y Moi + Beach House There is already a hype around Life of Pause with each pre-released track that comes out, especially for “TV Queen,” which features a very nostalgic synth sound that brings The Smiths, David Bowie and Washed Out to mind
Review: Yoko Ono – Yes, I’m a Witch Too
Yoko Ono, the frontier pushing, primal screaming, infinitely supreme goddess has given us an album thats worth boldly slipping into our party playlists, discussing relentlessly with near and distant relations, and passing out to basically anyone with at least on hand and two ears. … read more