Review: Iceage

Review: Iceage
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Like dying in a dream or Francis Bacon’s paintings, Iceage have delivered a bittersweet roller-coaster stomach lurch with their sophomore release, which drives forward in a disjointed dance with opener “Ecstasy.” … read more

Review: Hypocrisy

Review: Hypocrisy
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With a new record, Hypocrisy hits the road this spring in the ol’ USA to support it and all that goodness. … read more

Review: Horsehands

Review: Horsehands
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Boston-based Horsehands are an experiment with an old, familiar sound that is miraculously unlike anything you’ve ever heard. … read more

Review: High Priest of Saturn

Review: High Priest of Saturn
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A classic case of stoner doom by numbers, High Priest of Saturn imitate all the basic components of their chosen genre, but fail to add anything substantial or unique to the mix. Highly hailed with comparisons to Black Sabbath and Electric Wizard, the band’s self-titled debut only resembles these bands by the most generous comparison.  … read more

Review: Greg Boring

Review: Greg Boring
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Greg Boring are from Brisbane, Australia, and they make improvisational analog synth psychedelia. Heavy Syrup, the group’s debut LP, was an interesting listen, and even more interesting in its compositional techniques. In its recording process, the album’s songs were outlined but improvised.  … read more

Review: Gold Fields

Review: Gold Fields
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I want to enjoy this Aussie dance-rock, but something about it reminds me a little too much of being 15 and angst-ily blasting Panic! At The Disco. My teenage insecurities aside, the fast rock chords combined with perky electro-beats and male pop vocals that are the basis of Gold Fields are pretty decent—if not boy-band quality.  … read more

Review: Globe and Beast

Review: Globe and Beast
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st 15 minutes of this album gives me a feeling of overwhelming chaos—like when a circle pit gets too crowded or finding a light switch in a large dark room. … read more

Review: Dash Rip Rock

Review: Dash Rip Rock
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In the almost 30 years since they formed, Louisiana Music Hall of Famers Dash Rip Rock have been making rollicking swamp-rock with equal doses of punk and country and even a little metal. … read more

Review: Cy Dune

Review: Cy Dune
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No Recognize jumps right into action with heavy but bright guitar (think King Tuff guitar tone) hitting rhythmic chords and hammer-ons that become the backbone of the opening track, “Where the Wild Things.” … read more

Review: Cultes des Ghoules

Review: Cultes des Ghoules
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Hailing from Poland and named after a book in the Cthulu mythos, Cultes des Ghoules fall into the category of, well, “really awesome black metal.” I was extremely impressed with their previous full-length, Haxan, and blown away by their one-sided EP, Spectres Over Transylvania, and Henbane is the perfect melding of both of those releases.  … read more