Music
Review: Integrity – Suicide Black Snake
If you have been following Integrity’s trajectory these past five years or so, through split after split, EP after EP, Suicide Black Snake is the natural evolution in Integrity’s arc. … read more
Review: Iggy and the Stooges – Ready To Die
I dreaded listening to this record. If 2007’s The Weirdness was any indication, the Stooges can’t be resurrected. They could have fallen back on their raw, stripped-down, live-in-’73 sound that bands today try to emulate. … read more
Review: Iamamiwhoami – Bounty
With their dreamy vocals and experimental pop sound, Iamamiwhoami deliver an album that will please many different types of music lovers. … read more
Review: Hot Club of Cowtown – Rendezvous in Rhythm
So many jazz bands use “Hot Club” in their name, a nod to the original Quintette du Hot Club de France. In the case of Hot Club of Cowtown, I can imagine they use the “Hot Club” name because they earned it, especially on this record. … read more
Review: Deerhunter – Monomania
This album is a bit of a change for Deerhunter—a bit less shoegazy and experimental, and a lot more fun. … read more
Review: City Society – Self-Titled
Richard Cupolo, the man behind City Society, really reaches some alternative landscapes with his at-times Seal-esque vocals and fusion of rock, pop and dance. … read more
Review: Blood Ceremony – The Eldritch Dark
While many listeners may expect to hear the overdriven Black Sabbath worship of Living With The Ancients, Blood Ceremony take a clear step toward their folk influences on The Eldritch Dark. … read more
Review: Bill Ryder-Jones – A Bad Wind Blows In My...
After leaving the band The Coral, singer-songwriter Bill Ryder-Jones’ new solo album shows that he probably made a good move. … read more
Review: Barren Womb/Remote – Self-Titled Split
You can’t help but foil bands whenever you’re faced with a split. There is no better band between the two—the only victor in this split is the audience. … read more
Review: Arsis – Unwelcome
When I first started listening to Unwelcome, I was a little apprehensive—however, the album’s title and first song pulled me in. The chugging guitars, blasting double bass and high, pterodactyl-Satan vocals brought back warm fuzzy memories. … read more