Music
Review: Streetlight Manifesto – The Hands That Thieve
Their fifth album in the last ten years, The Hands That Thieve is a catchy and encouraging sign that ska has gas left in the tank. Like with all ska reviews, if you’re not a fan, just quit reading right now and kindly fuck off, we don’t care. … read more
Review: Starkill – Fires of Life
The debut album promises a big and bright future for this Chicago-based band. Blending elements from several different subgenres, including power and melodic death metal, this is an album full of blood and fire and battle (which I now dub “warrior metal”), free of clean singing, arranged with occasional symphonic and piano elements that really bring out cinematic properties in the sound. … read more
Review: The Runs – Pretty Girls
Pretty Girls needs more “Hey! Ho!”s and “Gabba gabba hey!”s. The lyrics are extruded from a Joey Ramone-‑like perspective, and the vocals of Scott Free have a similar cadence and tone to Joey. … read more
Review: Royal Trux – 3-Song EP
The utilitarian title of 3-Song EP (originally released in 1998) contains no lies and no lollygagging. The EP contains 3 songs. “Deafer Than Blind,” the minimalistic first third of the EP, begins with a slow, heavily reverberated drumbeat that remains steady to the end of the song. … read more
Review: Royal Canoe – Today We’re Believers
This album starts right off sounding a bit like a carnival: a spectacular explosion of energy and sound, music and noise. In line with some of the best in the experimental rock genre, … read more
Review: Red Hare – Nites of Midnite
“Don’t want to not fit in in the wrong way” sings Shawn Brown on Red Hare’s debut, kicking style over substance square in the balls. Nothing less should be expected of a punk veteran like Brown, or the rest of Red Hare. Although technically a debut, Red Hare is essentially Swiz/Sweetbelly Freakdown with a new drummer, the raging Joe Gorelick (Bluetip). … read more
Review: Pure X – Crawling Up The Stairs
Where Crawling up the Stairs doesn’t confront immediately with a sense of deep self-loathing, it seethes. Pure X is disarming in the way Nate Grace and Jesse Jenkin’s songs belie their distressed core by being quite pretty and non-confrontational. … read more
Review: Poeina Suddarth – Happy Whore
Poeina Suddarth’s vocal range is insane. Her sharp-yet-sweet voice travels everywhere from upbeat skit-skat jazz on “Natural Disaster,” all the way to relaxed grass-plains country sounds on “Gasoline” and “White Mr. Beauty.” … read more
Review: Polly Scattergood – Arrows
What a refreshing and novel concept for an album in 2013: songs of heart break and loneliness without any cloying traces of hip-hop or rapping on them. The very talented Scattergood bares her heart completely for her sophomore album and that young, … read more
Review: Paper Dragons – Die To Please
Some of the more snotty sounding vocals in the modern punk scene, Paper Dragons’ Die To Please is a fast and unforgiving album. While sticking close to punk cannon, this album (originally released in 2007) kicks out some aggressive jams—you can almost hear the sweat dripping through your headphones. … read more