Music
▼ National Reviews
Review: Lusine-The Waiting Room
I can’t help but dance throughout the entirety of this album while it’s playing, which is a good sign from the start. … read more
Review: The Haxan Cloak – Excavation
Throughout Excavation, Bobby Krlic makes incredible use of his background in sound design. … read more
Review: Emily Wells – Mama Acoustic Recordings
If you haven’t yet given Emily Wells a listen, I would recommend starting with her 2012 release, Mama. … read more
Review: Anchoress – Set Sail
I’m calling it—this is the album of the summer, if not the year. Furious and cocky hardcore punk with more swagger in 22 minutes than most bands have in a full LP, I haven’t taken this album out of my stereo since I started listening to it. … read more
Review: Young Galaxy – Ultramarine
When I heard “Pretty Boy,” the first single from Young Galaxy’s fourth release, Ultramarine, I anxiously awaited tuning my ears into the rest of the album. I discovered Young Galaxy through their 2011 record, Shapeshifting, and was immediately hooked on the synth-heavy dance beats the group was creating. … read more
Review: Wolf People – Fain
Before you press play, grab your ganj (if that’s what you’re into). Heavy, psychedelia-infused blues are contrasted perfectly with warbling vocals, creating an alternate reality of dangerous, body-molding maestros. … read more
Review: Wet Hair – Spill Into Atmosphere
Wet Hair = Abe Vigoda + Mode Moderne
Wet Hair is the project of Night-People Records founder Shawn Reed, who has been a quiet but influential independent label maker for a decade. Wet Hair has shared releases with Naked on the Vague and Peaking Lights, toured with Zola Jesus, and Spill Into Atmosphere is their second full-length album. … read more
Review: Waxahatchee – Cerulean Salt
On her first album, American Weekend, Katie Crutchfield (P.S. Eliot, Bad Banana) sang personally devastating songs about the great universals—love and loss. There she showed off an enormous songwriting talent that was nurtured on cross-country tours. … read more
![Review: VietNam – an A.merican D.ream](https://www.slugmag.com/wp/wp-content/uploads/2013/06/vietnam-an-american-dream.jpg)
Review: VietNam – an A.merican D.ream
The sophomore album from this Brooklyn rock group is a wild ride, with dark, psychedelic tones festering throughout the record. At its best, you can settle down into the groove of certain songs, but the majority of the tracks tend to be misguided with no clear direction. … read more
Review: Victory – Victory is Music
Robert Fleming is the multi-instrumentalist behind Victory. He touts a ’60s Brit rock sensibility and sports a rockabilly pomp—two promising signs for any music reviewer. Sadly, Victory is Music is indicative of neither. … read more