Music
▼ National Reviews
Review: Poor Remy – Bitters
Folk transforms into alt-country at the end of “Cave Eyes,” concluding the album pleasantly. Try this one out for a hiking trip or a day in nature. … read more
Review: Piano Interrupted – The Unified Field
The mix feels like a series of hymns performed in a discotheque, transforming a club-like atmosphere into an experience both spiritual and mind-expanding. … read more
Review: Phantogram – Self-Titled EP
There’s no real pretense here: All four tracks have been plucked from the new full-length, with the main single, “Black Out Days,” being the standout with its infectious chorus and striking rhythm. … read more
Review: Panama – Always EP
It is hard to categorize this Sydney-based quartet, fronted by the talents of the classically trained Jarrah McCleary, and having now listened to the original—and fairly mellow—versions of three tracks comprising this, their sophomore EP, I would say: “disco-lite.” … read more
Review: Ovlov – Am
Ovlov’s instrumental simplicity is reminiscent of indie-precursors like Pavement or Mclusky. The vocals have a bit of that post-punk whininess and the lyrics are, for the most part, indiscernible, but they do it well. … read more
Review: Orchestra Of Spheres – Vibration Animal Sex Brain Music
It’s clear by the title of the album that not even Orchestra Of Spheres know quite what to make of it. If you think that the electro-punk (another fitting definition for OOS) of LCD Soundsystem is too tame of a classification, then maybe this band is for you. … read more
Review: of Montreal – Lousy with Sylvianbriar
Lousy with Sylvianbriar takes elements of the Satanic Panic and Hissing Fauna–era that we know and love, and flips it into something totally new. Kevin Barnes intensifies the lyrical quality, making them more poetic, but thankfully not cryptic. … read more
Review: Odessa Chen with the Invisible Stories Ensemble – The...
While it comes across like a Broadway soundtrack, the sincerity of the lyrics with the intoxicating quality of Chens’ voice makes the album approachable by even those who are not so theatrically inclined. … read more
Review: Mount Eerie – Pre-Human Ideas
Phil Elverum voices everything on the album, his voice ranging from very deep to melodically high-pitched. Though on the surface it may seem simple, Pre-Human Ideas sets out to prove that the electronic can, in fact, be quite natural, and that recomposition doesn’t have to be familiar. … read more
Review: Mick Turner – Don’t Tell The Driver
Don’t Tell The Driver would be the perfect album to ease a panic attack. The instrumentation felt loaded with a Southwestern vibe, making it feel as though I was traveling alone by horseback across the desert landscape, especially in “The Navigator.” … read more