Review: CAVE – Threace

Review: CAVE – Threace
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CAVE hits all the stops on their interstellar cruise, from bruising motorik groove, to loose-limbed jazz, punchy horn sections, ’70s Latin psychedelia and full-bodied aural guitar assaults.  … read more

Review: Candy Warpop – Transdecadence

Review: Candy Warpop – Transdecadence
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Candy Warpop is sugary-sweet, pop punk goodness, with a delicious and flexible female vocal and a musical sensibility that suggests a variety of top-notch influences. … read more

Review: Boys Noize – Fabriclive 72

Review: Boys Noize – Fabriclive 72
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The album starts off with up-tempo electro-house beats that would be all too fitting for a day club environment, then eases into deeper house and heavier bass that forces the target audience to visualize being in an underground, laser-fueled rave. … read more

Review: Bipolaroid – Twin Language

Review: Bipolaroid – Twin Language
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I haven’t heard an album with this same perfection of vintage sound in a long time. Songs such as “Tonight We Paint the Town Our Favorite Colour” and “Efflorescent Adolescent” (plus basically every other song on the album) sound like they could be missing tracks from The Piper at the Gates of Dawn. … read more

Review: Bill Callahan – Dream River

Review: Bill Callahan – Dream River
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These songs are the kind of dreamlike reveries that can lull you into a drifting state that can carry you into dangerous territory, if that danger is sometimes just impending, around the corner. … read more

Review: Big Star – Playlist: The Very Best of Big Star

Review: Big Star – Playlist: The Very Best of Big...
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In the latest catalog of the preeminent power pop group Big Star, Playlist outlines all the incarnations of this influential band. … read more

Review: Bailterspace – Trinine

Review: Bailterspace – Trinine
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 Let’s get easy comparisons out of the way—Bailterspace are often compared to certain American alternative bands from the angry alt ’80s and it’s not difficult to hear why on Trinine—Alister Parker’s monotonous singing and vicious guitar playing sounds so close to both Thurston Moore and J. Mascis. … read more

Review: Axxa/Abraxas – Self-Titled

Review: Axxa/Abraxas – Self-Titled
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Ben Asbury is the man behind Axxa/Abraxas and the newest addition to the Captured Tracks roster. Producer Jarvis Taveniere, of Brooklyn psych band Woods, lends his skills but unintentionally casts his shadow over the album. … read more

Review: Anoraak – Chronotropic

Review: Anoraak – Chronotropic
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The three-piece band possesses the stereotypical French nu-disco sound that seems to be rising in popularity these days. This album makes a valiant effort to encapsulate those final moments of summer but I didn’t really fall for it, in spite of the electroshock therapy I felt Anoraak was subliminally conducting. … read more

Review: Cymbals – The Age of Fracture

Review: Cymbals – The Age of Fracture
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Care was taken with each track on the Cymbals’ progressive new album. From start to finish, Jack Cleverly’s (singer/guitarist) thought process can be felt in this non-concept-like album. … read more