Music
SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.
Local Review: Invisible Rays – Black Hole Dynamo
Invisible Rays Black Hole Dynamo Shit Hot Records Invisible Rays = Melvins + War of the Worlds + Thee Soda Jerks Invisible Rays, formed from members of Ogden nemeses The Debonairs and The Igniters, strip down to drums, keyboards and bass; nakedly harking back to a dirtier, dronier version of Girls Against Boys mixed
Local Review: Ryan Boud – Falling Stars
Ryan Bound Falling Stars Ryan Boud = Jade Tree + acoustic guitar + Gathering Osiris Ryan Boud probably wants to be signed, but he already sounds like he’s on a label—the packaging, production and delivery of his music is pretty much Pollyanna perfect. Bitterness against perfect-aspiring people aside, Ryan Boud’s songwriting is quite impressive
Local Review: Aaron Cole – Aorotica
Aaron Cole Aarotica Aaron Cole = The Prodigy + Clover With Aarotica, Aaron Cole, who has been involved in local projects for over a decade, blends repetitive electronic beats with dub and drum and bass with soft alt-rock and world music, resulting in an infectious dance mix for a party of monstrous proportions, or
Local Review: The Jukejoint 45’s – Self-Titled EP
The Jukejoint 45’s Self-titled EP The Jukejoint 45’s = The Cramps + Elvis + Robert Johnson Grammar, children! If I see another Salt City CD’s or Go-Go’s emblem again, I’ll maul. Plurals don’t have apostrophes! Anyway, The Jukejoint 45’s make some really kick-ass rockabilly that’s not different from a dozen other rockabilly bands you’ve
Local Review: Midnight Rhythm Combo – Self-Titled
Midnight Rhythm Combo Self-Titled Midnight Rhythm Combo = Nikki Costa + 20 years of musical theory Midnight Rhythm Combo is a disgustingly talented, tight and professional blues combo with jazz overtones and organ. Their female vocalist hovers between silk and husk. They’re a band who could play a Las Vegas casino, demand a rider
Local Review: Beyond This Flesh – Self-Titled
Beyond This Flesh Self-Titled Beyond This Flesh = At The Gates + The Black Dahlia Murder + Kreator + Total Chaos Scream as high-pitched, loud and hard as you can—really hard!—for half an hour straight. You now have a feel for the vocals of Beyond This Flesh. Imagine the intense, technical yet thrashing riffs
Local Review: Quetté Daddie – Reverse Psychology
Quetté Daddie Reverse Psychology JAMS Quetté Daddie = Bert McCracken’s publicity stunts + $10 DI Casio “Before music critic [sic] bash my music in a CD review, I think they should try to understand my music and my pain,” says Quetté Daddie at the beginning of Reverse Psychology. Could he be talking about little
Local Review: Scoob Serious – Standing in the Gap
Scoob Serious Standing in the Gap Visualize Scoob Serious = The Bible + Cypress Hill Christian rap can be annoying, but Scoob Serious comes off sincere and non-self-righteous about his religious convictions, rapping directly but non-melodramatically in his knowing purr about his past life as a gangster leading a double life behind his young
Local Review: Seconds Away – Self-titled demo
Seconds Away Self-titled demo Seconds Away = The Used + Gift Anon + Drive-Thru Records OK, I put Gift Anon in there because of the tender vocals. They should send their CDs only to Drive-Thru Records and Jade Tree and call it good. Seconds Away are pretty good at making emo that doesn’t suck, thanks
Local Review: State & Stereo – Thinkstop
State & Stereo Thinkstop Gloworm Records State & Stereo = New York Dolls + The Strokes + The Warlocks Bratty, cheeky lo-fi rock equal parts pop, glam garage and psychedelic wash with heartrending piano is best when dipping closer to the latter two, traveling back two decades como T. Rex than suckling from fads