Music
SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.
Local Review: Gothen – Self-Titled
What can you say about a local album that measures closely to established contemporary acts like Grizzly Bear? It’s clear who Gothen’s influences are, but it’s also clear they understand how to develop fine music rather than mimic it. … read more
Local Review: The Beehive Compilation – Volume 1
The collection includes some local favorites that I am familiar with, like King Niko, and surprised me with quite a few that I was not. It’s a great selection of indie and alternative styles, including pop rock, pop punk, folk, electronic, a bit of rap/hip hop and even a dash of female mojo (via The Blue Aces, Kitfox, Ashlee Woo, Summer Lasts Forever). … read more
Local Review: AODL – Arsenblotz 63
Before I go any further, let it be known that I am in no way the world’s foremost expert on noise/power electronics/industrial. Quite the opposite, in fact. However, good music (noise?) is good music, and I like what I like … and I like this release from AODL. … read more
Local Review: Abiogene – Self-Titled
Add this group to the growing roster of prog-djent outfits who are really making the subgenre something to behold. … read more
November 2013 Local Music Reviews
November 2013 Local Music Reviews … read more
Local Review: Vincent Draper and the Dirty Thirty – SAM
I’d like to propose that the Vincent Draper sound become the official sound of Utah. It’s deeply rooted in folk traditions, but somehow manages to be fresh and original—it’s definitely earthy in its tone, and while you can hear influences from all over, it stands on its own. … read more
Local Review: Starbass – Self-Titled
Steve Comeau, a community-involved Canadian transplant, launches us to Starbass with a great collection of futuristic, danceable dubstep tracks. … read more
Local Review: Pink Lightning – The Unbeatable Sound of Plastic
The Unbeatable Sound of Plastic, the second full-length record from Salt Lake’s Pink Lightning, straddles the line that separates gritty blues and ‘70s rock, and fucking breaks everything in between. … read more
Local Review: Parlor Hawk – Self-Titled
For their second album, Provo’s Parlor Hawk looked to make a slight departure from the sound of Hoarse & Roaming—their 2010 Northplatte Records release that seemed heavily influenced by producer Joshua James—and dabble a bit more in the rock side of their indie rock/folk genre. … read more
Local Review: The Moths – Self-Titled
The Moths are a Salt Lake band that merges the collective talents of Michael Sasich, Josh Dickson, Eli Morrison and Greg Midgely—and holy hell is it good. … read more