Festival Coverage
And Everything is Going Fine – Review
Stephen Soderbergh’s first documentary premiered at Slamdance with aplomb and a bit of heartstring strumming. Spalding Gray, the subject of this documentary, left a family behind after his disappearance/assumed suicide in 2004. … read more
Down Terrace – Review
British director Ben Wheatley (Modern Toss, IDEAL) shreds the preconceptions surrounding modern UK gangster fare (no Guy Richie-isms here) in this great drama. … read more
Drones – Review
One of the biggest crowd-pleasers of Slamdance 2010, this film uses actors and location to craft something unique in American cinema. … read more
His & Hers – Review
In an attempt to create a cohesive story by using a group of random females and the men in their lives, director Ken Wardrop chronologically profiles 70 different Irish women in various stages of life. … read more
Obselidia – Review
As technology renders objects obsolete with increasing speed, we realize more quickly that nothing lasts forever. George, an introverted yet studious librarian, spends his off-hours documenting all things archaic. … read more
New Low – Review
From the moment the film begins, it’s abundantly clear Wendell is a neurotic social coward always determined to harp on the negative aspects of himself and others, especially his girlfriends.
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One Too Many Mornings – Review
First impressions can instantly make or break a relationship. Meet Fischer (Stephen Hale), an alcoholic handyman who lives rent-free inside a church. … read more
Waiting for Superman – Review
America’s schools are failing. Despite all the presidents who have committed themselves to education reform and the millions that have been poured into America’s pubic schools, there has been little improvement for nearly 40 years. … read more
Kick in Iran – Review
Abdollahyan’s documentary provides a glimpse into the restricted lives of women in Iran, but also details the unique bond between a female Olympic athlete and her perfectionist coach. … read more
Double Take – Review
Johan Grimonprez’s second documentary is the epitome of the Sundance Film Festival’s core foundation. … read more