Slamdance Film Review: Bastards’ Road

Slamdance Film Review: Bastards’ Road
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Bastards’ Road is a film portraying a sense of hope in veterans creating their own network, breaking down the stigma of struggling with PTSD and reaching out to one another. … read more

Sundance Film Review: Acasӑ, My Home

Sundance Film Review: Acasӑ, My Home
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Acasӑ, My Home succeeds as a cinéma verité documentary that offers a compelling case study about the shortcomings of how we live. … read more

Sundance Film Review: Summer White (Blanco de Verano)

Sundance Film Review: Summer White (Blanco de Verano)
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Summer White (Blanco de Verano) doesn’t offer traditional payoffs that we may want or expect as viewers, and it’s certainly better for it. … read more

Slamdance Film Review: Máxima

Slamdance Film Review: Máxima
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Máxima is a must-see for anyone who feels they can’t make an impact—the film is proof that the willingness to fight for what is right can make a difference. … read more

Slamdance Film Review: A Dog’s Death

Slamdance Film Review: A Dog’s Death
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Matías Ganz’s A Dog’s Death is a top-notch thriller that unravels the absurd and violent consequences of class and racial discrimination. … read more

Sundance Film Review: Identifying Features (Sin Señas Particulares)

Sundance Film Review: Identifying Features (Sin Señas Particulares)
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Identifying Features (Sin Señas Particulares) is a harrowing narrative about Magdalena (Mercedes Hernández), who seeks her lost, adolescent son, Jesús (Juan Jesús Varela). … read more

Sundance Film Review: La Llorona

Sundance Film Review: La Llorona
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La Llorona is a good way to get your fix for a socially aware, supernatural psychological/revenge thriller at Sundance 2020. … read more

Slamdance Film Review: Tapeworm

Slamdance Film Review: Tapeworm
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Ultimately Tapeworm is a film that by all rights should be incredibly dull. It breaks every convention of good storytelling and manages to be captivating. … read more

Sundance Film Review: Summertime

Sundance Film Review: Summertime
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Summertime Sundance Film Festival Director: Carlos López Estrada Opening with a girl wearing roller skates, singing poetry into her guitar on a pier in Venice Beach, Summertime establishes the plot as a snapshot in the day of a life of different teens and young adults around Los Angeles. There are many characters in the story,

Film Review: The Song of Names

Film Review: The Song of Names
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The Song of Names is gripping, but it’s almost never convincing. Despite some genuinely great elements, it feels wholly manufactured and uninspired. … read more