Film
![Slamdance Film Review: Bastards’ Road](https://www.slugmag.com/wp/wp-content/uploads/2020/01/BR-Rogovy-Poster-Image.jpg)
Slamdance Film Review: Bastards’ Road
Bastards’ Road is a film portraying a sense of hope in veterans creating their own network, breaking down the stigma of struggling with PTSD and reaching out to one another. … read more
![Sundance Film Review: Acasӑ, My Home](https://www.slugmag.com/wp/wp-content/uploads/2020/01/49106034832_bf822c943a_c.jpg)
Sundance Film Review: Acasӑ, My Home
Acasӑ, My Home succeeds as a cinéma verité documentary that offers a compelling case study about the shortcomings of how we live. … read more
![Sundance Film Review: Summer White (Blanco de Verano)](https://www.slugmag.com/wp/wp-content/uploads/2020/01/49098609067_4f867f795b_c-1.jpg)
Sundance Film Review: Summer White (Blanco de Verano)
Summer White (Blanco de Verano) doesn’t offer traditional payoffs that we may want or expect as viewers, and it’s certainly better for it. … read more
![Slamdance Film Review: Máxima](https://www.slugmag.com/wp/wp-content/uploads/2020/01/maxima-slamdance-682x1024.jpg)
Slamdance Film Review: Máxima
Máxima is a must-see for anyone who feels they can’t make an impact—the film is proof that the willingness to fight for what is right can make a difference. … read more
![Slamdance Film Review: A Dog’s Death](https://www.slugmag.com/wp/wp-content/uploads/2020/01/16b31cb2-de2a-4409-b60d-b26815a1ef06-1024x512.jpg)
Slamdance Film Review: A Dog’s Death
Matías Ganz’s A Dog’s Death is a top-notch thriller that unravels the absurd and violent consequences of class and racial discrimination. … read more
![Sundance Film Review: Identifying Features (Sin Señas Particulares)](https://www.slugmag.com/wp/wp-content/uploads/2020/01/Sin-Señas-Particulares-1-1024x576.jpg)
Sundance Film Review: Identifying Features (Sin Señas Particulares)
Identifying Features (Sin Señas Particulares) is a harrowing narrative about Magdalena (Mercedes Hernández), who seeks her lost, adolescent son, Jesús (Juan Jesús Varela). … read more
![Sundance Film Review: La Llorona](https://www.slugmag.com/wp/wp-content/uploads/2020/01/49106403577_b55dd60628_c.jpg)
Sundance Film Review: La Llorona
La Llorona is a good way to get your fix for a socially aware, supernatural psychological/revenge thriller at Sundance 2020. … read more
![Slamdance Film Review: Tapeworm](https://www.slugmag.com/wp/wp-content/uploads/2020/01/MV5BOTYzNWY1YzMtNzVkOC00NTFmLWE1YWUtMTVlNmY4MDc4ZTAyXkEyXkFqcGdeQXVyNzU5NDU5MzQ@._V1_SX1777_CR001777937_AL_.jpg)
Slamdance Film Review: Tapeworm
Ultimately Tapeworm is a film that by all rights should be incredibly dull. It breaks every convention of good storytelling and manages to be captivating. … read more
![Sundance Film Review: Summertime](https://www.slugmag.com/wp/wp-content/uploads/2020/01/49106197833_b92cd97d80_c.jpg)
Sundance Film Review: Summertime
Summertime Sundance Film Festival Director: Carlos López Estrada Opening with a girl wearing roller skates, singing poetry into her guitar on a pier in Venice Beach, Summertime establishes the plot as a snapshot in the day of a life of different teens and young adults around Los Angeles. There are many characters in the story,
![Film Review: The Song of Names](https://www.slugmag.com/wp/wp-content/uploads/2020/01/SongofNames.jpg)
Film Review: The Song of Names
The Song of Names is gripping, but it’s almost never convincing. Despite some genuinely great elements, it feels wholly manufactured and uninspired. … read more