Arts
▼ Film Reviews
Slamdance Film Review: All the Colors of the Night
In this female-driven mystery, Iris attempts to piece together her memories from the night before to explain how a man wound up dead in her oceanfront apartment. … read more
Sundance Film Review: The Greasy Strangler
Amid tableaus that fixate on cartoonish gore, ungainly sex, feral pubic hair and lurid sausage consumption, The Greasy Strangler does tell a story—I think. … read more
Slamdance Film Review: If There’s A Hell Below
Debra agrees to meet with Abe, a young journalist, under the impression that she has something important to reveal in regards to national security. In real-time, we follow the two of them through a desolate landscape. … read more
Slamdance Film Review: The Tail Job
Nicholas hires a taxi driver to follow his fiance, whom he expects to be cheating. We follow him through his mishaps and mistakes as he tries to get to the true story. … read more
Slamdance Film Review: Art of the Prank
Artist Joey Skaggs is known duping the media over elaborately staged pranks. Art of the Prank highlights his next focus, aiming at film festivals. … read more
Sundance Film Review: First Girl I Loved
Anne finds herself to be attracted to Sasha, a girl on their high school’s softball team. When Anne tries to tell her bestie, Clifton, though, he reveals his feelings for her, which compromise Anne’s simple intention to woo the girl she has a crush on. First Girl I Loved provides alternatively styled narration as to how Anne navigates her desire for Sasha. … read more
Slamdance Film Review: Hunky Dory
Sure to be one of this year’s must-see Slamdance gems, Hunky Dory is an opulent, gender-bending and audacious feat that can be described exactly as music critic Stephen Thomas Erlewine described David Bowie’s 1971 album of the same name: “a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class.” … read more
Slamdance Film Review: The Million Dollar Duck
The annual Federal Duck Stamp Contest brings contestants from across the US to prove their artistic talent. But is the competition enough to count as a functioning conservation program? … read more
Slamdance Film Review: Driftwood
Writer/director Paul Taylor’s first feature, Driftwood, is a small, intimate and refreshing chamber piece that still manages to speak in droves—an impressive feat, considering that the entire film is dialogue-free. … read more
Slamdance Film Review: Last Summer
Last Summer is a supremely elegant and stylish feature film debut from director Leonardo Guerra Seràgnoli, who electrifies audiences with a tense and sophisticated exploration of a mother-son relationship that begins as soon as it ends. Set to see its US premiere at this year’s Slamdance Film Festival, the taste-making film is a nonpareil must-see. … read more