Authors: Kathy Rong Zhou
![Sundance Film Review: Toni Morrison: The Pieces I Am](https://www.slugmag.com/wp/wp-content/uploads/2019/01/toni-morrison.jpg)
Sundance Film Review: Toni Morrison: The Pieces I Am
The Pieces I Am crafts a wondrous portrait of Morrison that is both intimate and reverent. … read more
![Slamdance Film Review: Skynd Deg Sakte (Hurry Slowly)](https://www.slugmag.com/wp/wp-content/uploads/2019/01/hurry-slowly-slamdance.jpg)
Slamdance Film Review: Skynd Deg Sakte (Hurry Slowly)
Skynd Deg Sakte is a gorgeous, affecting tribute to the things we sometimes overlook or undermine. … read more
![Sundance Film Review: WE ARE LITTLE ZOMBIES](https://www.slugmag.com/wp/wp-content/uploads/2019/01/45251933044_f7915d4b62_o.jpg)
Sundance Film Review: WE ARE LITTLE ZOMBIES
A punch-pop-stomp ride from start to finish, WE ARE LITTLE ZOMBIES chronicles four school-uniform-wearing strangers, averaging 13.5 years of age. … read more
![Sundance Film Review: Advocate](https://www.slugmag.com/wp/wp-content/uploads/2019/01/The-Advocate.jpg)
Sundance Film Review: Advocate
Along with Jones and Bellaïche’s primary narrative, Advocate also delves into Tsemel’s personal life, insofar as it informs her practice today. … read more
![Sundance Film Review: MERATA: How Mum Decolonised the Screen](https://www.slugmag.com/wp/wp-content/uploads/2019/01/MERATA.jpg)
Sundance Film Review: MERATA: How Mum Decolonised the Screen
Her mission, in her words, was to decolonize and indigenize our screens. With Merata: How Mum Decolonised the Screen, her son Hepi Mita continues the task. … read more
![Slamdance Film Festival 2019 – Boni Bonita](https://www.slugmag.com/wp/wp-content/uploads/2018/12/Boni-Bonita-Daniel-Barosa-Slamdance-Film-Festival.jpg)
Slamdance Film Festival 2019 – Boni Bonita
Boni Bonita was shot over three years and magnificently across three formats: Super 16, 16 mm and digital. “When writing this film, I always pictured it with a nostalgic look,” says Barosa. … read more
![Film Review: Sorry to Bother You](https://www.slugmag.com/wp/wp-content/uploads/2018/07/sorry_to_bother_you___still_1_37952712494_o.0-1024x683.jpg)
Film Review: Sorry to Bother You
Buoyed by its people-power, anti-capitalist, revolution-minded readiness to jolt us awake, Riley’s filmic storytelling debut stays daring and endlessly inventive. … read more
![Film Review: Eighth Grade](https://www.slugmag.com/wp/wp-content/uploads/2018/08/eighth-grade_edited.jpg)
Film Review: Eighth Grade
Like eighth grade, Bo Burnham’s feature-film debut will have you wincing in secondhand (and firsthand) embarrassment and laughing through heart-pangs. … read more
![Damn These Heels 2018: Close-Knit](https://www.slugmag.com/wp/wp-content/uploads/2018/07/closeknit.jpg)
Damn These Heels 2018: Close-Knit
Naoko Ogigami’s thoughtful, pastel-hued family drama Close-Knit follows the self-sufficient and searching Tomo, played by Rinka Kakihara. … read more
![Fazilat Soukhakian](https://www.slugmag.com/wp/wp-content/uploads/2018/05/Fazilat-Soukhakian-We-Share-the-Same-Feeling-1.jpg)
Fazilat Soukhakian
Fazilat Soukhakian’s approach is an active, inquiring one. The Iranian artist-photographer’s work continually records and questions what it means to exist in our contemporary world—what it means to engage with it, to have a stake in it. … read more
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