Authors: John Ford
Slamdance Film Review: My Name is Faith
Following a young girl named Faith—who suffers from Reactive Attachment Disorder— and her family, the Junkers, through two camps designed to help families with children who have various attachment disorders, My Name is Faith documents the difficulty of dealing with these very real issues—both as a child and as a family.
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Slamdance Film Review: The Institute
Following the storyline of a massive reality game created by Jeff Hull, The Institute searches for the boundry that separates what is real and what is fiction.
Slamdance Film Review: Without Shepherds
Following the lives of six very different people, Without Shepherds provides a fresh, encouraging view of the occasionally tumultuous country of Pakistan. The film weaves together stories from Imran Khan, a former cricket star and rising politician; Vaneeza Ahmad, a feminist-empowering fashion model; Arieb Azher, an enlightened musician; Mohammed Ibrahim, a student and ex-mujahid; Laiba Yousafzai, a female reporter/journalist; and Abdullah Khan, a truck driver providing for his large family. … read more
Slamdance Film Review: Terms and Conditions May Apply
In this eye-opening documentary, Cullen Hoback draws viewers’ attention to the plethora of reasons of why we should take a second look before clicking the “I Agree” button on the various Terms and Conditions documents we’re constantly bombarded with online. From things like GPS data being sold to police departments to Carrier IQ—a software program that documents everything you do on your smartphone—to the massive NSA eavesdropping center in Bluffdale, UT, there are many reasons for us to rethink all the personal information we upload on a daily basis. … read more
Slamdance Film Review: Domestic
In this heartfelt film, Romanian director Adrian Sitaru takes us along on his investigation of humanity’s relationship with the animals we love, the animals we eat and the difference between the two. Focusing on the lives of a small, tight-knit Romanian community, Domestic is a charming examination of how relationships with animals can help us deal with life, and with death, without taking itself too seriously. … read more
Slamdance Film Review: The Brotherhood of the Traveling Rants
Opening with Gavin McInnes—the “Godfather of Hipsterdom” and one of the co-creators of Vice Magazine—going around and asking famous comedians how to be funny, The Brotherhood of the Traveling Rants is a lot of fun. After turning his book tour into a comedy tour, McInnes gets his BFF from high school, Steve Durand, drunk and takes advantage of him… I mean, gets him to agree to go on the tour with him… yeah, that’s it. … read more
Slamdance Film Review: Where I Am
In 1999, writer Robert Drake was brutally attacked by two local men and left for dead in Sligo, Ireland. The assault left Drake horribly crippled: unable to walk without a sense of balance, he is now confined to a wheelchair, and has difficulty speaking or paying attention for long periods of time. … read more
Slamdance Film Review: Joy de V.
In her debut feature film, Nadia Szold presents a nostalgic look back at the classic film noir period. Joy de V takes place in a version of New York heavily shrouded in organized crime, where Roman (Evan Louison), a small-time con-artist whose biggest scam is receiving disability checks by pretending to be crazy, and his seven-month-pregnant wife, Joy (Josephine de La Baume), live happily in a small apartment.
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Slamdance Film Review: Vipaka
Former therapist/current life coach Thomas Carter (Anthony Mackie) has just released his self-help book and is on the road to success when his brother, Ben (Mike Epps), shows up and threatens to unearth haunting moments from Tommy’s past. In an attempt to make some quick cash to pay off his troubled brother, Tommy adds several additional days to his book tour and takes on a new client named Angel (Forest Whitaker). … read more
Mika @ In the Venue 03.30
Usually when an artist or band opens with your favorite song of theirs, it’s all downhill from there—but, luckily for me, this was a special situation. You see, before this concert, I’d only heard about a third of Mika’s work. Which was basically the reason I’d decided to review the thing in the first place—I’d liked what I’d heard, and I wanted to hear more. So, when Mika opened with “Grace Kelly,” a fun song that’s really just a “fuck you” to record execs, I knew there was a good chance of things improving from that point. … read more