Year: 2024
Contributor Limelight: Nate Schwartz
The ever-reliable Nate Schwartz has taken SLUG’s social media presence to the next level starting in November 2020. … read more
Sundance Film Review: The Outrun
The Outrun follows Saoirse Ronan’s character Rona through a cycle of victories and relapses as she seeks out a personal reset that will stick. … read more
Sundance Film Review: Sasquatch Sunset
Sasquatch Sunset is somewhere in between a low-brow, gross-out physical comedy and a touching survival documentary. … read more
Sundance Film Review: How to Have Sex
How to Have Sex is a shockingly realistic portrayal of how young girls are first introduced to the trap of sexual hedonism and the relationship between social pressure and blurry consent. … read more
Slamdance Film Review: Darla in Space
After learning that she is over $300,000 in debt, Darla discovers a sentient kombucha scoby named Mother that can communicate with her telepathically and give people psychedelic orgasms. … read more
Sundance Film Review: Handling the Undead
Handling the Undead is a well-crafted re-contextualization of a familiar monster that ruminates on how to mourn loss when it’s staring you in the face. … read more
Sundance Film Review: A Real Pain
In A Real Pain, two cousins reunite after their grandmother’s death for a trip to Poland, where old family tensions resurface. … read more
Slamdance Review: Bike Vessel
Bike Vessel is an intimate documentary where director Eric Seals undertakes a bike journey from St. Louis to Chicago with his father. … read more
Sundance Film Review: Winner
Winner is the story of Reality Winner, a Capitol Hill misfit who becomes an unlikely whistleblower for exposing Russia’s interference in the 2016 election. … read more
Slamdance Film Review: The Bitcoin Car
The Bitcoin Car is a musical adventure blending the disparate worlds of goat farming and crypto mining. … read more