Year: 2018
Sundance Film Review: Pity
As far as filmmaking goes, there may be something in the water in Greece. Director/screenwriter Babis Makridis’ and screenwriter Efthimis Filippou’s work in Sundance World Drama Pity converses with a similar vernacular to that of fellow Greek Yorgos Lanthimos. … read more
Sundance Film Review: Genesis 2.0
Sundance World Documentary film Genesis 2.0 is beautifully shot. Yakut “Hunters” travel to the isles to dig for mammoth tusks, which they sell with aspirations for riches. Some sell to/for scientific projects while others sell tusks that end up in the hands of artisans. … read more
Slamdance Film Review: Sunnyside
Two very eccentric, elderly men who are quasi-neighbors and buddies in Northern California—one a sound-designer, the other an anarcho-architect—go about their business, talking everything and anything with whatever Carbon happened to catch on film. … read more
Slamdance Film Review: Mr. Fish: Cartooning from the Deep End
The best of art comes from the creation that follows destruction. Mr. Fish: Cartooning From The Deep End is a documentary full of raw, ugly, animated humanity that respects that tension. … read more
Slamdance Film Review: Man on Fire
With information moving at unprecedented speeds and the concept of truth becoming increasingly distorted, definitive and drastic actions speak louder than ever. Such is the case with reverend Charles Moore, the subject of Joel Fendelman’s new documentary. … read more
Slamdance Film Review: Mexman
Germán Alonso’s main project is Mexman, an idea Alonso first worked on for his senior thesis at USC. It’s a crazy story—one about a Mexican immigrant who comes to America for a better future, who then dies unexpectedly and is subsequently turned into a “cyborg slave.” … read more
Slamdance Film Review: Instant Dreams
In this visual essay, Baptist mirrors the power of photography, fixating on the Polaroid as not only an artistic medium, but also a decisive technology and cultural document, a record of time that continually develops and evolves with the contemporary world. … read more
Slamdance Film Review: Ingrid
After so many years of being an urban creative and mother, Ingrid Gipson traded her life in Texas to pursue a more lonesome one in Oklahoma, where she could surround herself with creative projects and nature, as well as her own independence and creativity. … read more
Slamdance Film Review: Freedom for the Wolf
Take five countries: Hong Kong, India, Tunisia, Japan and the United States of America. Freedom for the Wolf showcases footage from all of these countries in the last three years, fleshing out each country’s political powers and how each are struggling to achieve their ideal political climate: democracy. … read more
Slamdance Film Review: Circus Ecuador
Circus Ecuador Slamdance Film Festival Director: Ashley Bishop and Jim Brassard Non-historical documentaries put so much faith in the unknown. Entering a situation with the hopes that it yields filmable, watchable material turns a blind eye toward the countless opportunities for derailment or strange turns of events. Thus, in the event of the unforeseen taking