Year: 2016
![Review: Punk’s Dead: SLC Punk 2](https://www.slugmag.com/wp/wp-content/uploads/2016/01/Punks-Dead-1-691x1024.jpg)
Review: Punk’s Dead: SLC Punk 2
Before I moved to the Beehive State in the fall of 2000, one of my only references to this fascinating city was an independent movie titled SLC Punk. I watched it more times than I can remember and enjoyed every viewing for its exciting acting, energetic soundtrack and local resonance. It’s been 18 years since its release with multiple rumors that a sequel was on the horizon. As much as I enjoyed the first installment, I questioned whether or not it required or deserved another engagement. … read more
![Sundance Film Review: The Lobster](https://www.slugmag.com/wp/wp-content/uploads/2016/01/TheLobster2-1024x614.jpg)
Sundance Film Review: The Lobster
In a dystopian future, David must find a partner in 45 days, or else he will be transformed into an animal of his choice. Yorgos Lanthimos’ The Lobster bears witness to the process by which David seeks a mate against this impending consequence. Mind-warping twists abound in this film—The Lobster does not disappoint. … read more
![Sundance Film Review: Antibirth](https://www.slugmag.com/wp/wp-content/uploads/2016/01/Antibirth-1-1024x614.jpg)
Sundance Film Review: Antibirth
A film like Antibirth is the reason that I’m willing to take a gamble on Sundance’s Midnight section. It strikes a rare balance in that it portrays a visually arresting and bizarre story while bringing relevant subtext and spot-on character acting along for the ride. … read more
![Sundance Film Review: 31](https://www.slugmag.com/wp/wp-content/uploads/2016/01/31_Head-1024x614.jpg)
Sundance Film Review: 31
There was something oddly comforting about my experience with Rob Zombie’s psychobilly horror film. After so many of my film choices this year took me into territory that I wasn’t necessarily prepared for, 31 was exactly what I was hoping it would be—a heavily stylized jaunt into Rob Zombie’s carnival of carnage. … read more
![Sundance Film Review: The Eyes of My Mother](https://www.slugmag.com/wp/wp-content/uploads/2016/01/Eyes-of-My-Mother-HEad-1024x614.jpg)
Sundance Film Review: The Eyes of My Mother
My mouth was agape for much of The Eyes of My Mother. Borrowing from horror yet far from it, this film by director Nicolas Pesce disturbs the emotions that accompany our love for our family—our mothers, our fathers and our children—with violence and morbidity. … read more
![Dance Out in the Sun: Interview with Hive Riot](https://www.slugmag.com/wp/wp-content/uploads/2016/01/hive_riot.jpg)
Dance Out in the Sun: Interview with Hive Riot
Comprising brother/sister-in-law duo Mindy (vocals) and Dustin Gledhill (synths), Hive Riot brings both artists’ best attributes to light. “I felt like we both had strengths we could bring to the table” says Mindy. … read more
![Review: The Besnard Lakes – A Coliseum Complex Museum](https://www.slugmag.com/wp/wp-content/uploads/2016/01/besnard-lakes1-1024x1024.jpg)
Review: The Besnard Lakes – A Coliseum Complex Museum
It’s no secret that The Besnard Lakes have an affinity for the supernatural and even look to it for inspiration. Yet, what sets A Coliseum Complex Museum apart from the band’s previous work is its openness in addressing the group’s relationship and overarching obsession with nature and the occult. … read more
![Sundance Film Review: Trash Fire](https://www.slugmag.com/wp/wp-content/uploads/2016/01/Trash-Fire-Head-1024x614.jpg)
Sundance Film Review: Trash Fire
The horror/comedy is a tricky genre to blend. While it seems like the two fit hand in hand, very few directors have been able to actually make it work. The problem with Trash Fire is that director and screenwriter Richard Bates, Jr. tried to make a horror/comedy that was also a family drama, a treatise on mental illness and a critique of religious conservatism. … read more
![Sundance Film Review: Wild](https://www.slugmag.com/wp/wp-content/uploads/2016/01/Wild-Head-1024x614.jpg)
Sundance Film Review: Wild
Dog may be man’s best friend, but Ania’s lover is a wolf. Director Nicolette Krebitz’s Wild shows Ania (Lilith Stangenberg) in a state of apathy toward her surroundings. She puts up with patriarchal men at her office job and must suffer through her sister’s boyfriend who rudely interrupts their video chats. … read more
![Slamdance Film Review: All the Colors of the Night](https://www.slugmag.com/wp/wp-content/uploads/2016/01/Slamdance-All-The-Colors-of-the-Night-1024x614.jpg)
Slamdance Film Review: All the Colors of the Night
In this female-driven mystery, Iris attempts to piece together her memories from the night before to explain how a man wound up dead in her oceanfront apartment. … read more