Localized: PENTAGRAHAM CRACKERS

Localized: PENTAGRAHAM CRACKERS

This month’s Localized features experimental wizard rockers Koala Temple and the cinematic poetry of existential ’70s punk weirdos Pentagraham Crackers. Drum and guitar duo Dog Sweat open. As always, $5 will get you in to Urban Lounge on Aug. 15 for a night of rock n’ roll, Salt Lake City style. Sponsored by Fat Tire, Spilt Ink SLC and KRCL 90.9FM!

Localized: Sonic Prophecy

Localized: Sonic Prophecy

Photo: Russel Daniels On September 12, at 9 p.m. sharp, Urban Lounge will host a night of metal might where hot-rockin’ thrashers Deathblow and symphonic steel forgers Sonic Prophecy will be inducted into the SLUG Localized hall of fame, and Mister Richter will open. The show is made possible by sponsors Fat Tire, Spilt Ink

Localized: Super 78

Localized: Super 78
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Set aside your best $5 bill so you don’t miss this month’s Localized, featuring the American rock of Bronco, the ’60s sound of Super 78 and opener Green River Blues at Urban Lounge. It’s sponsored by Uinta Brewing Co., KRCL 90.9FM and Spilt Ink SLC. Doors open at 9 p.m. on Nov. 14. … read more

Localized: Book on Tape Worm

Localized: Book on Tape Worm
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“This kind of started as an accident,” vocalist/guitarist Scott Shepard says. “I used to play in a lot of rock bands. Then I started writing a bunch of sad songs and didn’t really plan on playing them for anybody.” The group gained attention from local music venue Velour, and acquired cellist Ciera Black after an

Gheybin Comish and her Merman Obsession

Gheybin Comish and her Merman Obsession
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Comish points out her overall inspiration—she says, “I like the primitive act of fighting. I am into Inuit things and figures. I like the plump, fleshy figures.” I could not help but feel privileged to see notes, doodles and observations that she takes with her everywhere, a private insight to her whimsical imagination. Comish’s talent runs deep, and when she casually mentions that she was a child-prodigy pianist, I don’t bat an eye and enviously mumble under my breath something to the effect of, “Oh, of course you were.” … read more

Gay Marriage: The Bread and Circus Show

Gay Marriage: The Bread and Circus Show
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What has been called by some as “a true Christmas miracle,” gay and lesbians can now “officially” get married in the state of Utah. Yet, despite this supposed “fight won against evil,” to quote a Facebook friend, is there anyone else feeling a little conflicted by the events of this past week? … read more

Uncovering Sincere Psychedelic Rock n’ Roll

Uncovering Sincere Psychedelic Rock n’ Roll
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“It’s two parts of life that I’ve come to associate with over time,” says Asbury. “My dad passed away about five years ago, and we found a book of poetry that he had put together. The last poem that he put in that book is called Axxa … The second part comes from Hermann Hesse, my favorite author. In his book, Demian, they talk about Abraxas, which is supposed to be some gnostic god, both good and evil.” … read more

Giggles with Birbiggles: An Interview with Mike Birbiglia

Giggles with Birbiggles: An Interview with Mike Birbiglia
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Mike Birbiglia is a virtuoso storyteller. His one-man performances can have you rolling in the aisles just as quickly as they can have you hiding a tear from your significant other. He’s romantic, he’s hilarious, he occasionally defenestrates himself (maybe you’ve heard the story), and once he lived inside Macy’s. … read more

Salt 9: Jillian Mayer

Salt 9: Jillian Mayer
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 Jillian Mayer, a south Florida–based artist and Sundance Film Festival alum, is the ninth artist to be featured in the Utah Museum of Fine Art’s ongoing Salt series, which highlights contemporary work from emerging artists. Much of Jillian Mayer’s work investigates the fragmenting consequences of Internet usage through some of its most ubiquitous media—catchy pop songs, humorous YouTube videos, chat rooms and ephemeral linkages. … read more

DIY or Die: An Interview with Peter Baxter of Slamdance

DIY or Die: An Interview with Peter Baxter of Slamdance
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“I think that over the years, the gatekeepers—the studio gatekeepers—have now become fewer, because I think with a film festival like Slamdance, the way that it’s programmed has shown that you don’t have to then be anointed, as it were, by a studio member to say that you can come in and now you can do this. Slamdance has played its part in helping to break down that barrier.” … read more