Review: Kevorkian Death Cycle – Distorted Religion

Review: Kevorkian Death Cycle – Distorted Religion
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California’s Kevorkian Death Cycle seem to be releasing music on a regular basis again, and nothing could please me more. The God Am I release was one of my favorites last year. Although releasing a single may be more profitable, it can be such a tease. … read more

Review: King Tuff – Black Moon Spell

Review: King Tuff – Black Moon Spell
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Say hello to the best classic rock record of the year. For all of its influences drawn from ‘70s glam and heavy rock, it might as well be a revival record, but that’s not King Tuff’s intention. … read more

Review: Human Cull – Stillborn Nation

Review: Human Cull – Stillborn Nation
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I love discovering new bands by random occurrences. Human Cull made its way to me through a physical promo of the CD sent to SLUG Mag. This UK grind band surprised the shit out of me. … read more

Review: Jack White – Lazaretto

Review: Jack White – Lazaretto
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Ever since the release of Blunderbuss in 2012, Jack White’s solo career has been very unpredictable and almost a major step away from everything else he was doing in his various bands. That’s reflected greatly in Lazaretto, where White’s style has morphed to be a pseudo country/blues/garage rock theme that sounds far more enthralling than anything he did in the previous decade. … read more

Review: J. Chance – Cool Kids Club

Review: J. Chance – Cool Kids Club
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J. Chance = Devendra Banhart + Bob Dylan ¬– Daniel Johnston
  … read more

Review: Hookworms – The Hum

Review: Hookworms – The Hum
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Hookworms = Rubella Ballet + X-Ray Spex + Siouxsie and The Banshees … read more

Review: Hungry Cloud Darkening – Glossy Recall

Review: Hungry Cloud Darkening – Glossy Recall
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Hungry Cloud Darkening = Angelo Badalamenti / Julee Cruise x Dirty Beaches … read more

Review: Integrity – Systems Overload (A2/Orr Mix)

Review: Integrity – Systems Overload (A2/Orr Mix)
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For as good as the original Systems Overload is, it’s firmly planted in 1995. The new mix is rawer and louder, and the instruments have more space. My only gripe is that everything is loud, making songs that should be more dynamic and punctuated lose potency as all dials are pegged at 11. … read more