Year: 2013
Review: Coloured Clocks – Nectarine
Coloured Clocks’ minimalist formula for psychedelia reflects Spacemen 3, as well as the space rock of Pink Floyd by offering the mellow kind of psych or “dream-drone” that closes out a long summer day or welcomes in a sunrise when you’ve been up all night with friends. … read more
Review: Chrome – Half Machine From The Sun – The...
Helios Creed and Damon Edge cleaned out their pockets, gathered funds and purchased their music rights back from corporate grasp to release a piece of lost post-punk history. … read more
Review: Circus Devils – My Mind Has Seen the White...
What makes it all quintessentially Pollard is he doesn’t forget the rock: Amid all the dream sequences, there’s “Deliver Ice Cream (You Must)”—as if the ‘Emperor’ of Wallace Stevens’ poem was throttling an ice cream truck that cranked out a wicked riff. … read more
Review: Circus Devils – When Machines Attack
The second of two Circus Devils, released two days before indie-rock statesman Robert Pollard’s 56th birthday, is much more jagged and jarring, but still bears the warped rewards of Pollard’s twisted stream-of-consciousness wordplay, not just in subjects like “Arrival At Low Volume Submarine.” … read more
Review: Cold Summer – Self-Titled
Starting the album with “Car Crash (In Progress),” featuring the only funky bass rhythm on the album, Cold Summer’s debut album is rough and extremely unpolished but still manages to leave me wanting more.
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Review: Chuck Inglish – Easily EP
Good ol’ Chuck has always been a beast of collaboration, and this latest serving of tracks is a testament. “Swervin,” which features Sir Michael Rocks and Polyster the Saint, showcases classic Inglish/Rocks. … read more
Review: Cayucas – Bigfoot
Bigfoot is an album full of summer anthems. The songs are a mix of laid-back beach-pop and faster tropical rhythms that literally melt away my stress. Frontman Zach Yudin’s lyrical flow, matched with the percussion and bass lines, give this music the most subtle hip-hop touch. Overall, the album is completely soulful. … read more
Review: Chandler Travis Three-O – This is What Bears Look...
Intermittently instrumental, in my opinion, is always a benefit when an album features more than five instruments. Compared to Chandler Travis’ concurrent venture with Catbirds, This is What Bears Look Like Underwater comes off a lot less forced. … read more
Review: Charles Bradley – Victim of Love
The screaming eagle of soul, Charles Bradley became a breakthrough artist at the age of 62 with the release of his debut album, No Time for Dreaming. On his sophomore release, Victim of Love, Bradley once again delivers a bucket of authenticity, passion and power. … read more
Review: Cerekloth
Cerekloth took me completely by surprise with their 2011 EP Halo of Syringes, and I was even more intrigued when I learned the band included members of the highly underrated Church Bizarre. … read more