Year: 2013
Review: David Bowie – The Next Day
I still remember pulling Ziggy Stardust from the vinyl sleeve, the phrase “TO BE PLAYED AT MAXIMUM VOLUME” challenging me from the lower corner of the back cover. Every second of “Starman” forevermore altered my musical outlook. That said, I was skeptical as hell when I heard Bowie was releasing another album. Mainly because it’s been a decade since his last release, but also because his last album, Reality, fell a little short (in my opinion). Fortunately for us all, The Next Day meets the high expectations that Bowie sets by being, well, Bowie. … read more
Review: Daft Punk – Random Access Memories
Right from the beginning of Random Access Memories, the tone is set through the first track, “Give Life Back to Music.” … read more
Review: Dark Tranquillity – Construct
The Gothenburg Swedish melodic death metal style may be a shadow of what it originally was … read more
Review: Dead Can Dance – In Concert
If you have ever heard Dead Can Dance, then it should be obvious that my “equation” does them no justice. … read more
Review: David Lynch – The Big Dream
Overall, this album surprised the hell out of me, and it seems to get better with each listen. Don’t get me wrong: There is a lot of weird shit, but Lynch, like he’s done so many times before, pulls it off. … read more
Review: Cuscino – Eternality
By combining heavy bass with experimental beats, Cuscino was able to create a beautifully crafted album that showcases his talent in music production. … read more
Review: Cults – Static
Her high-toned vocals complement the sparkly ’50s-style guitar tunes they lay on, though on tracks like “Always Forever,” they remind me of an excited girl talking to a dog (“Hi, puppy!”). … read more
Review: Dale Cooper Quartet & the Dictaphones – Quatorze Pièces...
Quatorze Pièces de Menace starts with near perfect treatise explaining a term like “dark jazz” to the masses. This 20-plus minute opus tracks a slow-build progression from dark ambience to slow industrial clang, to Birth of the Cool–era Miles Davis cool jazz, to swells of post-rock guitars and swathes of noise. … read more
Review: Dave Hause – Devour
The Loved One’s current and Paint It Black’s former guitarist has also been putting out solo material since his stint performing on the PIB 2009 revival tour. It’s obvious that Hause knows how to create a large scope with his songs since each of them are emotional epics that tell Americana-type stories. … read more
Review: Cymbals – The Age of Fracture
Care was taken with each track on the Cymbals’ progressive new album. From start to finish, Jack Cleverly’s (singer/guitarist) thought process can be felt in this non-concept-like album. … read more