Year: 2013
Review: King Krule – 6 Feet Beneath The Moon
His debut LP manages to blend light jazz with minimalistic trip hop, while the music itself remains folk at its core. This album feels like Marshall took the vibe of classic folk album Moondance by Van Morrison, then dragged it through the London underground, encountering a few alleyway beatings and a few bad breakups along the way. … read more
Review: Il Sogno Del Marinaio – La Busta Gialla
Il Sogno Del Marinaio = Mike Watt solo + Nels Cline’s Destroy All Nels Cline … read more
Review: Infected Mushroom – Friends on Mushrooms Vol. 1
Infected Mushroom = Major Lazer + Prodigy + Daedalus … read more
Review: InFiction – When I’m With You
I think naming their EP New Original Dance was a pretty bold move by InFiction. There really isn’t too much of anything that is original on this track list. I have this theory that once you’ve heard one or two electronic dance/trance/trip/techno/whateverthefuckyouwanttocallit songs, then you have basically heard them all. … read more
Review: Horsehands
Boston-based Horsehands are an experiment with an old, familiar sound that is miraculously unlike anything you’ve ever heard. … read more
Review: Hypocrisy
With a new record, Hypocrisy hits the road this spring in the ol’ USA to support it and all that goodness. … read more
Review: Iceage
Like dying in a dream or Francis Bacon’s paintings, Iceage have delivered a bittersweet roller-coaster stomach lurch with their sophomore release, which drives forward in a disjointed dance with opener “Ecstasy.” … read more
Review: Iron Reagan
Iron Reagan will initially be recognized for its membership, which counts two members of Municipal Waste and two members of Darkest Hour in its ranks, but this should be eclipsed by their music. … read more
Review: How to Destroy Angels – Welcome Oblivion
With a name referencing an early Coil song and featuring industrial (hair)god Trent Reznor, how could this not be good? … read more
Review: Human Eye – 4: Into Unknown
I’ve been into fuzz for a while now, but the tone of the guitar’s thick, audible padding, scattered throughout 4: Into Unknown, scratch deep—enough to trigger inner-ear ASMR tingles. Throughout the album and especially in “Surface of Pluto,” the wah of the guitar solos sound like they came straight from The Stooges’ Fun House. … read more