Review: Sleepmakeswaves – …and so we destroyed everything

Review: Sleepmakeswaves – …and so we destroyed everything
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Sydney Australia’s Sleepmakeswaves have the ability to move from the sublime to sublimely heavy in a half-breath’s time.  … read more

Review: SISU – Blood Tears

Review: SISU – Blood Tears
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Blood Tears is bristling with synths and heavy bass riffs, and in between, Vu’s voice creates melodramatic tension. Most of the tracks recall the current ’80s pop revival, but there’s something refreshing about the sleeker production here, especially on the awesome single “Harpoons.” … read more

Review: Skeletonwitch – Serpents Unleashed

Review: Skeletonwitch – Serpents Unleashed
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Honestly, I wasn’t a huge fan of Forever Abomination, but in my eyes, the band has transcended their sound on this record—the technically modest solo of “Beneath Dead Leaves,” for example, demonstrates Skeletonwitch’s penchant for song construction rather than stereotypical, dick-swingin’ metal guitar solos.  … read more

Review: Spindrift – Ghost of the West

Review: Spindrift – Ghost of the West
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The wide-open spaces of places like Joshua Tree, animal corpses rotting under the blazing sun and the myth of the desert have marked all of their records, but for Ghost of the West, Kirpatrick Thomas wanted something different. He wanted to make an album that didn’t emulate the myth of the West, but embodied the West—what it actually was.  … read more

Review: Soviet Soviet – Fate

Review: Soviet Soviet – Fate
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When Fate begins, the full richness of the music, along with the double-time dance beat, doesn’t prepare me for the voice of Alessandro Costantini. It’s not that his voice doesn’t mesh well with the overall sound—it does. It’s perfect for the crunchy bass that sits on the forefront of the album’s mixes, allowing the guitars to create texture or melodic leads reminiscent of Holograms’ synth work.  … read more

Review: SQÜRL – EP #2

Review: SQÜRL – EP #2
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Coming off a brilliant collaboration with lute revivalist Josef van Wissem, this largely instrumental, sprawling compilation of psychedelic guitar explorations of dissonance and repetition is as good as any Jarmusch film: disconnected, adjacent to popular culture and unmistakably idiosyncratic. … read more

Review: Storm of Light – Nations to Flames

Review: Storm of Light – Nations to Flames
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This album takes a completely different direction with its post-metal influences than I was expecting. Instead of the gentle surges and mellow refrains, Nations to Flames takes you by the collar and shakes you again and again with its unrelenting chaos.  … read more

Review: Strike to Survive – Yesterday’s News

Review: Strike to Survive – Yesterday’s News
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Drums and guitar high in the mix with jagged vocals buried a little beneath makes for a compelling listen, sort of similar to Drive Like Jehu or maybe even the first Bronx album (check the Refused-via-Stooges riffing on the title track). … read more

Review: Senses Fail – Renacer

Review: Senses Fail – Renacer
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Opening with the heaviest song in their career, notably without a single scrap of clean singing, Renacer is the album I’ve secretly been waiting for since the first time I heard Buddy Nielsen scream at the end of “One Eight Seven.” … read more

Review: Scott And Charlene’s Wedding

Review: Scott And Charlene’s Wedding
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As if a debut album of numbingly good lo-fi fuzz and blues wasn’t enough Craig Dermody is back with an outstanding EP. With less fuzz, and rhythms more poppy than before, Dermody belts out more tales about injuries, love and sadness. … read more