Year: 2013
Oddescee: Utah’s Fearless Freestyle Aficionado
Upon meeting Brandi Madrid, aka Oddescee, for the first time, you wouldn’t think you’re talking to Salt Lake’s one and only female battle emcee. In fact, the incredibly humble and down-to-earth mother of two is a self-proclaimed introvert and nerd—she proves it to me by proudly displaying the “NERD” tattoo on her back and telling me about her passion for books and the show Ancient Aliens. Her necklace, however, speaks of the woman that lies beneath: “Fearless,” it says. … read more
Farewell Transmission: RIP Jason Molina
It’s an all-too-familiar story: A brilliant rock musician succumbs to addiction, the urge to pick up a bottle or a needle, and not put it down. Those are some of the oft-romanticized rock creation/destruction myths. Rock music history is a stockpile, a wrecking yard littered with them. One of the latest casualties, March 16 of this year, was Jason Molina of the bands Songs: Ohia and Magnolia Electric Co, from organ failure due to alcoholism. … read more
Top 5: Cult of Luna
Ascending out of the black abyss after five years of quietly lurking in the adumbrative shadows, Cult of Luna released their album, Vertikal I, which transcended the norm and boundaries of the typical metal wavelengths. With all the cultivation and care that went into Vertikal I, however, the album did not illuminate the full spectrum of sound that the band had intended to highlight. In 2013, Vertikal I was made whole, as Cult of Luna introduced three extra songs and a remix on a separate EP: Vertikal II. … read more
Top 5: Light/Black
When talking shop over recordings, you sometimes hear of bands “catching lightning in a bottle” with their music. If that analogy rings true, Light/Black didn’t just bottle it, they christened their amps with it. Make no mistake, the way they wrote and structured this album was no accident, nor did they cater to any minor niche group who may not like a certain kind of tone. This is a fucking good, heavy rock album. … read more
Top 5: Danny Brown
Right from the first track (“Side A [Old]”), it’s obvious that this ain’t that old Danny Brown shit. He takes us there, into his old life—his mom braiding hair on the front porch (“25 Bucks”) and a crackhead burning off his lip doing stove hits (“Torture”). But this is new territory for Brown. Old strays from the minimalist and vocal-centric emphasis of XXX and the ’90s-worship of The Hybrid, and shows that Brown is as versatile and conceptual as ever. Old is more put-together, more focused around each song’s vibe or story. … read more
Top 5: my bloody valentine
Twenty years of rumors, side projects and silence after my bloody valentine’s Kevin Shields announced the band’s progress on a follow-up to their shoegaze genesis, Loveless, my bloody valentine self-released m b v along with a deep sigh of relief. Though the band is the brainchild of Irish teenagers in the ’90s, my bloody valentine’s m b v stands out as an organic output incubated into perfection and birthed at just the right moment to head our generation’s reclamation of ’90s attitude and aesthetic. … read more
November 2013 National Music Reviews
November 2013 National Music Reviews … read more
November 2013 Local Music Reviews
November 2013 Local Music Reviews … read more
Top 5: Daughter
It’s hard to put into words the emotions that Daughter’s full-length debut, If You Leave, bring up. Each time I turn it on, it’s as if Elena Tonra’s voice is reaching deep into my soul and shaking up all of those miserable, broken-hearted experiences, and then serving them back to me in a beautifully decorated, melancholy cocktail. … read more
Top 5: Pharmakon
Margaret Chardiet crafts industrial noise music under the project name Pharmakon. Over the past few years, she has slowly built a name for herself (and her friends) in an isolated music bunker located in the Far Rockaway, NYC. Chardiet’s work is intended to be experienced live, but for those of us who have not had this opportunity, the Abandon EP is a substitution. … read more