Year: 2013
Local Reviews: Dirtbags Don’t Die
Dirtbags Don’t Die reminds me of those Hellcat Records compilations, Give ‘Em the Boot, which were full of all sorts of punk, hardcore, ska and a ton of other genres. Dirtbags Don’t Die can blast out top-notch punk rock, like on “Suckerpunch,” and the next thing you know, they’re seamlessly slipping into a laid-back ska tune like “I Remember.” … read more
Local Reviews: Doomed to Extinction
This is a batch of three recording sessions slapped onto one CD-R from a salty trio of grindcrushers, all captured (as the title suggests) in Raunch’s back room. Doomed to Extinction cops their name from a killer Disrupt cut, and the nominal homage lends a solid, sonic reference point for the liminal space they occupy, like crud under a toenail, ’tween grind, crust and sludge. … read more
Local Reviews: Stories of Ambition
Stories of Ambition is ambitious, indeed. While the band has added members since the recording, everything on this album was written and performed (or in the case of the drums, written and programmed) by one man, Zach Hyte, formerly of Oh, Antarctica. … read more
Local Reviews: Euphoria Again
Euphoria Again is a minimalistic indie folk group whose music is comparable to a large, abstract art piece: It’s aesthetically engaging from afar, but observing it closer doesn’t bring any additional gratification. … read more
Local Reviews: Quiet The Titan
This is definitely a high school band, but if you take the pubescent-sounding vocals with a grain of salt, you’ve got the skeletons of a fairly impressive debut garage rock album. Using acoustic guitar intros, Weezer-ish bass progressions and youthful lyrics to their advantage, these teens manage some great jams that seem to be echoing the successful indie Provo/Velour scene. … read more
Local Reviews: John-Ross Boyce and His Troubles
Deliciously raw and gritty, Black Shuck/Old Crow is a really great album—a sort of stoner-gypsy-folk-rock mash-up. Wailing guitar riffs and rich, flowing vocals define the 14-song collection and, while the moods and tempos do vary, the album maintains a pretty consistent blues-based vibe that plucks at your heart-strings—kinda even tugs on your skin a little. … read more
Local Reviews: Matthew and The Hope
Matthew and The Hope wasn’t my kind of jam. Matthew claims to sound like Joshua James or Ray LaMontague, but I see his vocal styles as akin to back-of-the-throat singers from neo-grunge (think Scott Stapp or Gavin Rossdale). That being said, Matthew Bashaw has solid vocal skills, but the man needs someone to back him up if he is going to pull off the alternative country sound. … read more
Local Reviews: Michael Gross and The Statuettes
With a perfectly titled album, this rock outfit sonically takes you somewhere warm on the coast. Thanks to their mostly feel-good rhythms, electric guitar riffs and arena-style vocals, this is one of Salt Lake’s most widely appealing bands. … read more
Local Reviews: Mr. Richter
I’m all about the classic heavy metal revival. Mr. Richter join the mêlée of Utah’s virtuosic-vocal NWOBHM with their debut, six-song EP, where they find a good portion of their heavy metal niche with elegiac songs including opener “Mr. Richter,” which pounds along at a heavy, steady pace set by drummer Tyler Russell, along with chuggy guitars that blast in and out of dual harmony from both guitarists. … read more
Local Reviews: The New Electric Sound
Whether it was serendipity or just savvy marketing, the debut album from Provo-based surf-rockers The New Electric Sound has arrived just in time for summer. Generally speaking, the words “surf-rockers” and “Provo” don’t jive with one another, but this album just might change that. It’s the type of music that screams to be blasted out of topless convertibles cruising down the Pacific Coast Highway as the sun lazily sets over the horizon. … read more