Month: October 2013
Review: Holograms – Forever
Forever uses the upbeat power of nearly unbroken speed to avoid any clashes with boredom while finding identity through unique vocals. … read more
Review: Heavenly Beat – Prominence
Prominence expands on the downtempo aesthetic of Talent by incorporating darker, introspective lyrics into the same exuberant sound. Peña’s airy falsetto floats through the tracks here, cozying up with lush loops of nylon strings, steel drums, and New Order–styled harmonica. … read more
Review: Heaven’s Gate – Transmuting
I’ve felt starved for feminine vocalists in the upbeat lo-fi community up until Transmuting. Heaven’s Gate mix reverberated guitars and non-stop ride cymbal with a voice between the sustained notes of Best Coast and the tone of Siouxsie Sioux. … read more
Review: Hickoids – Hairy Chafin’ Ape Suit
Boom! Right off the bat, I’m hit by the opening song “Fruit Fly” with an upbeat blues guitar solo and organ playing that sounds a lot like Gregg Allman was contributing to the song. … read more
Review: His Clancyness – Vicious
His Clancyness is a solo endeavor spawned by the lead singer of little-known Italian indie group, A Classic Education. Within the first 10 minutes of Vicious, Jonathan Clancy easily demonstrates more of a strength within American melancholic bedroom rock than the average college slacker. … read more
Review: Grave – Morbid Ascent
Slip on your mucky moshing shoes and live it up with this EP: five tracks of gritty, classic Swedish death to tide you over until the next full-length abomination from Grave. … read more
Review: Halaska – Mayantology
Let me start off by urging you not to take the band name, album name or any of the track titles at face value. Fortunately, they’re one of the better progressive math-rock outfits I’ve heard in a long time. … read more
Review: Hank 3 – A Fiendish Threat
Hank 3 has always touted his love of aggressive music, such as punk and metal, and the juxtaposition of that with his family heritage and country persona have lent, in no small part, to what makes him a fascinating character. … read more
Review: Hank 3 – Brothers of the 4×4
If you’re like me and you respect everything Hank 3 does—from the grind metal to his early traditional country work, and everything in between, but you wish he’d focus on making honest-to-goodness country music, a honky-tonk-as-hell kinda record, then this is for you. … read more
Review: Goblin – Tour EP
Goblin occupy a strange musical space, leaning most heavily toward prog, but also referencing creature feature organ music, when fitting. Profondo Rosso has long been one of my favorite Goblin scores, particularly the title track. The version that appears on Tour EP is my favorite of the five pieces that make up the set. … read more