Month: October 2013
Review: Leverage Models – Self-Titled
With catchy, up-tempo pop beats that are both acoustic and electronic, Leverage Models have the ability to please a wide spectrum of music fans. … read more
Review: Las Kellies – Total Exposure
I’m not usually a big fan of the use of synth in music, but this mix of dub-influenced, groove-filled tunes is seductive to the ears and just damn good. … read more
Review: Julianna Barwick – Nepenthe
Although some of the tracks on the album, such as “Pyrrhic” and “Adventurer of the Family,” create sort of a sad vibe, the album as a whole was super relaxing and pleasant to the ears. … read more
Review: Kal Marks – Life is Murder
I really didn’t think I would grow to like, let alone love and respect Shane’s unconventional vocals, but they make this album a solid piece that is unlike anything I’ve heard recently. … read more
Review: Kim Lenz and the Jaguars – Follow Me
While maintaining all the tropes of a garden variety release, this record also is a step forward for Lenz, who gained more urgency and has become more visceral in her delivery. … read more
Review: King Khan & The Shrines – Idle No More
Although Idle No More comes from a darker place than earlier Shrines work, the bulk of the album is celebratory. It melds the psychedelic soul sounds that the band is well known for with a gospel influence. … read more
Review: Kill Everyone Now! – Self-Titled
Kill Everyone Now! is a guitar/drum duo that currently calls São Paulo, Brazil home (though they do have an SLC connection). This six-song EP clocks in at about 20 minutes and it powers through from start to finish. … read more
Review: House of Black Lanterns – Kill The Lights
I would be in a trance-like state—then suddenly, I would be jarred and thrown into shock by a disturbing pipe organ sound that was something along the lines of the soundtrack of the classic 1974 movie, Phantom of the Paradise. … read more
Review: James LaBrie – Impermanent Resonance
The attempt here is to bridge the gap between prog-heads and fans of the more melodic style of melodic death à la Sweden. It works extremely well. … read more
Review: I’m In You – Trust
I’m In You keep the guitars to a minimum, only using them for texture, giving the album a new wave feel like the darker songs of New Order filtered through Metronomy. For me, the album peaks in the middle with “Disclosure,” a track that would easily fit on the Drive soundtrack. … read more