Month: March 2013
Local Reviews: Esther
Esther’s self-released EP, Common Choirs, finds its groove in the post-hardcore/ screamo realm—it would sit well on the shelf next to late ’90s/early ’00s genre releases. The hallmark heart-on-your-sleeve, metaphorical lyrics are abundant, just waiting to be turned into tattoos/T-shirts/Facebook status updates, and are backed by emotive guitar lines that dip into heavier territory than others of this genre might. … read more
Local Reviews: Jake Burch
The local scene has been graced by the presence of the eclectic folk band L’anarchiste. Now the band’s influence is growing as one of its members, Jake Burch, has gone solo. He offers jazz-influenced folk in his debut, War. I want to like the album, but it just rubs me the wrong way a few times. Almost every song highlights a new instrument and different vocal style. … read more
Local Reviews: JP Haynie
Jordan Haynie created this album with purpose. He wanted to make a soundtrack for the drive from Utah to California, so he played what he calls “desert music.” He wanted to give people deeper access to his creativity, so he included a 24-page book with drawing and recording notes. But I would guess that his primary purpose was self-expression. … read more
Local Reviews: Juana Ghani
If you enjoy a good tale, then you will definitely enjoy what Juana Ghani has done with their release, Shall We Live Forever. I found the CD best listened to after I read the accompanying novella, Kasojeni Bay, by frontman Brian Bonell. … read more
![Local Review: Chance Lewis](https://www.slugmag.com/wp/wp-content/uploads/2013/03/chance-lewis-were-just-happy-to-be-here.jpg)
Local Review: Chance Lewis
Chance Lewis portrays the wisdom and wit of an experienced emcee like Astronautalis. His influences aren’t obvious, but it’s clear he’s not afraid to represent the fact that he’s a white rapper living in Provo. … read more
![Local Review: Charlatan](https://www.slugmag.com/wp/wp-content/uploads/2013/03/charlatan-self-titled.jpg)
Local Review: Charlatan
There isn’t much of an excuse for slacking in production anymore, with modern technology allowing the tiniest band to put out professional-quality demos—which is why it’s extremely painful when a band doesn’t put any effort into creating a listenable recording. … read more
![Local Review: Drew Danburry](https://www.slugmag.com/wp/wp-content/uploads/2013/03/drew-danburry-the-first-pillar.jpg)
Local Review: Drew Danburry
Danburry has shown us that he’s still in the music game, which is great news in my book! As a long-ish-time fan of Danbury’s, my only disappointment was in the short length of the new release. … read more
![Local Review: Polytype](https://www.slugmag.com/wp/wp-content/uploads/2013/03/polytype-basic-complex-album-artwork.jpg)
Local Review: Polytype
Polytype are aptly named, considering their heavily layered production of ambient noise. This album is hypnotic dream-pop with a moody touch. … read more
![Local Review: PTO](https://www.slugmag.com/wp/wp-content/uploads/2013/03/pto-pointless-album-artwork.jpg)
Local Review: PTO
Pointless has possibly gotten just as many plays on my stereo as it would have on a college radio station two decades ago. Even though the album’s performers are just four local (and young) dudes, they could still easily pass as Clinton-era slackers. … read more
![Local Review: Mike Moran](https://www.slugmag.com/wp/wp-content/uploads/2013/03/mike-moran-underneath-this-tree.jpg)
Local Review: Mike Moran
This album from local musician Mike Moran contains a dense amount of indie/folk instrumentation, but Moran’s great attention to detail seems to do a disservice to his songs. Along with the thin, distorted vocals, there are a lot of small accents mixed throughout each song, such as guitar noodling, which add some different flavors to the songs, but fail to catch your ears overall. … read more