Year: 2012
Iron & Wine, Kathleen Edwards @ Twilight Concert Series 08.16
Beam took the stage with his acoustic guitar and started his 20-song set. He pleased his longtime fans with a good mix of old and new, and solo and accompanied. What impressed me most was his superb vocals. Sure, they are great on CD, but Beam’s voice really thrives in a live setting, attesting to his natural talent. … read more
Strung Out @ Bar Deluxe 08.17
It always seems like a bit of a publicity stunt to see a band rehash old material for a special run—It can come off as exploitative. However, I wholeheartedly embraced when Strung Out came back by with their mid-to-late-’90s albums, Suburban Teenage Wasteland Blues and Twisted by Design. So did all my friends from the same era. Almost every song elicited a huge applause, and the good ol-fashioned mosh pit was full of slam dancers practicing the ancient art of controlled collisions. … read more
A Train Runs Through It: JCRD Welcomes Choice City to...
I knew relatively little about Choice City before heading north to watch them take on the Junction City Trainwrecks. Still a somewhat small league, they travel with two-thirds of their skaters. Knowing this now, I can see why Choice City runs such tight strategies. When it comes to travel teams, just having the time to practice with each other can make or break a winning streak. … read more
HVDD: Rollin Rebellion vs. Sirens of Steel 8.25
When I finally found my destination, walking into the old Food 4 Less that houses The Hive, headquarters for the Happy Valley Derby Darlins, I saw how they made themselves a nice little niche in the community. … read more
The Boards Reunion Show with Avon Calling and Gnawing Suspicion...
As these sages of punk rock strap on their guitars and study their set lists, the crowd of two dozen aged rockers (and a couple young punks like myself) watches anxiously, sensing the nervous energy in the bar. The guys haven’t forgotten how to kick ass, though, and they start with some of the oldies—stripped down punk rock n’ fuckin’ roll. … read more
Napalm Flesh: Týr Interview
Get your Viking gear ready, the horned helmet your ale tankards—well not really. Just because The Faeroe Island’s Týr sing a lot about Viking lore and history doesn’t mean they shouldn’t be taken seriously. With six full-length albums notched in their swords and no signs of slowing the momentum is only building. The band employs clean singing and big, fat helpings of majestic melodies. The point of it all, from my experience, is a journey-like experience—you listen and you go somewhere else. … read more
Chelsea Wolfe with Spell Talk and Light Black @ Urban...
I hear and feel dark swelling tones of bass, looped vocals and keys as they open with “Movie Screen.” Fog machine aside, their ominous stage presence creates an element of awe in the room, and the audience is eerily silent and perfectly still. I can feel the energy waiting to burst out of this band. I’m stoked, because just when I think I know where a piece is going, it does the exact opposite. I’m built up by Chelsea Wolfe’s layered vocal loops, then the ambient guitar sounds and deep bass drop me out a trap door and the music halts for a fraction of a second. They are tight and together, executing these rising and falling swells with surgical precision. … read more
Absinthe Films: Resonance Salt Lake Premiere 09.01
On the first of September, Justin Hoystenek and Shane Charlebois gathered a few of the riders featured in their 15th film, Resonance, to showcase last season’s ups and downs on the big screen at the Tower Theater in SLC. … read more
School of Seven Bells @ Urban Lounge 09.01
Unlike most shows at this venue, the crowd was not speaking in the wings, but corralled into “The Holding Pen,” as I like to call the rail-lined dance floor in front of the stage, and hanging on every extended vocal harmony that Deheza began and finished. She is as good as she ever was. … read more
Why? with Serengeti, Jel @ Club Sound 09.04
The semi-circle set up in the background made plenty of room center-stage, making it clear that Yoni is in command of this game. This isn’t to say that the band adds nothing; one of Why?’s strengths is in their ability to mix indie, hip hop, pop or experimental instrumentation with well crafted lyrics. While the songs embody the attitude typical of a lot of affluent males as a pitiful, lonesome individual, the setup fit. As Yoni started the night with a popular hit from Alopecia, “A Sky for Shoeing Horses Under,” the crowd was quick to warm up to Yoni’s voice that pays solid attention to rhythm and wordplay. … read more